This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny ... CD
The crashing waves of the Pacific coast hardly seem like the serene setting you might want for the vibes of Cal Tjader – but this album works surprisingly well, and offers up Cal's combo in a Monterey live date, before the jazz festival really got going strong! The group's one that matches ... CD
Soul jazz organ with big band? It's been done – and never better than on this set – which features Brother Jack's classic quartet – with George Benson, Red Hollway, and Joe Dukes – next to the the screamin' orchestrations of a hip Benny Golson! Golson leads a crack band ... CD
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... CD
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... CD
An essential Art Farmer session from the mid 50s – and a magnificent batch of hardbop tracks that we'd rank with some of our favorite work on Blue Note! The group is incredibly strong – with Hank Mobley on tenor, Kenny Drew on piano, Addison Farmer on bass, and Elvin Jones on drums ... CD
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly ... CD
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly ... CD
One of the few US releases by 50s Belgian reedman Bobby Jaspar – a talent who graced countless European sessions at the time, but who's working here in a rare date with an American group! As on other albums from the period, Jaspar plays both tenor and flute – alternating between ... CD
One of the few US releases by 50s Belgian reedman Bobby Jaspar – a talent who graced countless European sessions at the time, but who's working here in a rare date with an American group! As on other albums from the period, Jaspar plays both tenor and flute – alternating between ... CD
We've got a long-standing love affair with the music of Gil Melle, and this CD's a perfect example of why we think he's so great! Melle was an enigmatic baritone player who recorded for Blue Note and Prestige in the 50's, and his recordings for both labels have a strange other-wordly quality that's ... CD
We've got a long-standing love affair with the music of Gil Melle, and this CD's a perfect example of why we think he's so great! Melle was an enigmatic baritone player who recorded for Blue Note and Prestige in the 50's, and his recordings for both labels have a strange other-wordly quality that's ... CD