This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A record that offers up one slice of a key live moment in the career of Keith Jarrett – his return to work in a New York club after the space of more than a decade! The group here is Jarrett's fantastic Standards trio – Gary Peacock on bass and Jack DeJohnette on drums – working ... CD
Chick Corea's almost borrowing a page from the ECM book of Keith Jarrett here – working in a solo acoustic piano mode that's incredibly fluid and free – filled with warm touches that stand in really stark contrast to his more avant-leaning keyboard styles of a few years before! The ... CD
The title's a great one for this album by guitarist Jakob Bro – as his sense of sound is often so full of colors, it's easy to imagine the place named in the title! Although Bro's also got maybe more emphasis on the bluer side of the spectrum in his music – not as in blues, but in the ... CD
Invisible threads of sound from reedman John Surman – heard here in a group that's got an especially great sound – as it features piano from Nelson Ayres and a mixture of vibes and marimba from Rob Waring! Surman's always great, but he's sometimes got an icier edge on ECM – which ... CD
That's a slightly cheesy cover image for saxophonist Joe Lovano – and maybe for the ECM label, too – but the album is anything but, as Joe's working here with a very hip, very unusual trio that includes the great Marilyn Crispell on piano and Carmen Castaldi on drums! If anything, the ... CD
One of the first moments of genius from a young Pharoah Sanders – a set that builds on the energy of John Coltrane's Love Supreme generation – but takes it in a much more expansive direction! The album's got a sense of majesty that's years ahead of its time – righteous, positive, ... CD
One of the first-ever sessions as a leader from west coast bassist Red Mitchell – a great start to a career that definitely showed that Red was always a cut above the usual rhythm player! The album features some very nice arrangements that open things up in a west coast mode that's never too ... CD