This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A bit tighter and more conventional soul than earlier work by Starpoint, but still pretty darn great too – and great proof that the group were more on top of their bag than other funky combos of the type! Renee Diggs is strongly out front on vocals throughout – lending her sweet sound ... CD
Massive work from Starpoint – the kind of all-great record that few other groups of their era could hope to match! The set's got way more going on than usual the usual 80s groove (although that's very firmly in place too) – and steps out with a tightness and sense of presence that ... CD
Lean and grooving funk steeped soul from Starpoint – with more of a lively, Earth-based instrumental groove than some of the more drum machine and synth soaked albums that beamed out of the Starpoint spaceship later on in the 80s! This is their first album on Casablanca – a funky bit ... CD
A group that you may not know by name – but which features some top-shelf production at the helm – work by both Fred Wesley and Azar Lawrance, plus supervision from one of the Mizell brothers! With all that talent on board, the record's way more than just another obscure one-off funk ... CD
Seminal modern soul from the great Leon Ware – an artist who had a great influence on the sound of mellow Motown in the 70s, but who's sounding even better here in an early 80s California groove! Leon's smooth, sophisticated, and very much his own man on the set – unabashedly upfront ... CD
There's a Roger Troutman groove all over this album from Human Body – no surprise, since Roger plays guitar, keyboards, and bass – and even produced the album himself! The style's kind of a left-of-center take on the Zapp groove of the time – a bit rougher and more street-consciou ... CD
Great work from one of the tightest acts of 60s soul – the always-energetic Sam & Dave, working here with an excellent batch of tracks by Isaac Hayes & David Porter! Titles include "Hold On, I'm Comin", "May I Baby", "Soul Man", "I Thank You", ... CD
Marvin Marvin Marvin – just when we thought you couldn't impress us any more, you took it to the next level! Trouble Man is a heck of a wonderful surprise from an artist that most folks really only knew as a singer – a fantastically funky blacksploitation soundtrack, conceived and ... CD
In our humble opinion, just about every track that Marvin recorded for Motown is "great" – but since this set's focused on the hits, we're happy to accept their track selection, and admit they do a pretty good job of covering most of the big bases – early solo gems, duet ... CD