This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
An amazing evolution in sound – a set that brings together the shifting styles of Deniece Williams during her Columbia years – a stretch when she started out as a righteous-voiced singer with an almost Minnie Riperton-like sound, then moved into much more chart-topping territory for the ... CD
Classic 80s work from Luther Vandross – the kind of record that catapulted him from the soul music shadows into the major mainstream of the time! The style here is a fair bit more electric than some of Luther's music of the 70s, but the sound is still silky, soulful, and sensuous – ... CD
Genius work from Denice Williams – a singer who'd cracked the charts a bit as Denice Chandler, with a little girl soul sound, way back in the 60s – but who's grown up considerably by this essential 70s set! Chandler's voice is still a bit high – almost in a Minnie Riperton sort ... CD
Features some solo tracks by Ray – plus duets with BB King, Gladys Knight, Jim Johnson, Lou Rawls, and Kenny Carr. Titles include "Nothing Like A Hundred Miles", "I Wish I'd Never Loved You At All", "Let's Call The Whole Thing Off", "Over The Top", ... CD
Philip Bailey hits a great groove here – working with Nile Rodgers, who gives him a lean, clean sound that works perfectly with his vocals! The sound is a nice change from the direction Bailey was heading in previously – a return to the focused soul of the later Earth Wind & Fire ... CD
Prince in a grand groove – really hitting a new level of funk with a razor-sharp edge – and even blowing away some of his work on previous records! The record's a soundtrack for a film – Under The Cherry Moon – and although that movie never had the success of Purple Rain, ... CD
The third album by The Stylistics – and a set that's still very much in the high-harmony territory of their first two classics! Thom Bell's still very firmly on deck this time around – arranging, producing, and writing a good deal of the material too – and the Sigma Sound ... CD
A killer 2CD set of funky grooves by one of the best backing bands ever! The JBs were James Brown's legendary combo during his monster funk years of the early 70s – and this well-selected compilation brings together 30 rare tracks from their best years! The set's got a great set of notes ... CD
A really standout bit of blue-eyed soul from Gino Vannelli – the kind of record that shouldn't be so great, but really holds up well over the years! The style is tight and studio-oriented – somewhere in the mode of Bobby Caldwell and some of Gino's other cross-over contemporaries ... CD