This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of Dee Dee Bridgewater's greatest jazz albums, and a very important record in her career – as it marked a shift back to straight jazz vocals, after years of working in a more R&B inflected mode. The album's recorded in Paris, where Dee Dee's spent an awful lot of time over the years, ... CD
A modern classic from Dee Dee Bridgewater – one of her hippest albums of the later years, thanks to a great choice of material, and some really wonderful execution! The album's a beautiful set of straight jazz vocal readings of some of Horace Silver's best compositions, and it also features ... CD
A magical exercise in understatement – and one of Blossom's best albums for Verve! The late 50s session features Blossom back in the US and working with a small combo that includes Bobby Jaspar on flute, Ray Brown on bass, Kenny Burrell on guitar, and Ed Thigpen on drums – all grooving ... CD
Ella swings it nicely with the orchestra of Frank DeVol on this set of standards and classics – an overlooked treat from her late 50s years – and a set that's overflowing with great little numbers! The album's got a sound that's lush at times, but never overly emotive – thanks to ... CD
A nice little Verve session that breaks from the usual format – especially the "Songbooks" one – and features Ella in LA with small group backing by Jim Hall, Lou Levy, Wilfred Middlebrooks, and Gus Johnson. The set was recorded live at the Crescendo – in a jazzily ... CD
Amazing early work from Blossom Dearie – quite possibly her best album for Verve, recorded in the mid 50s right after her return from work on the Paris scene! The style here is sprightly and whimsical, yet also fragile and human – a blend that few other singers can pull off as well as ... CD
Possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind ... CD
Joanie's second album for Warner Brothers – and a date that features some especially nice backings from Neal Hefti, who helps swing Sommers into some great jazzy territory, but always with that playful Hefti touch that we love so much! Instrumentation is always interesting, even underneath ... CD
A wonderful lost gem from Ella Fitzgerald – very much in the mellow mood hinted at in the title, with only the piano of Ellis Larkins to back her up! The sound is incredible – and even very different than any of the work she recorded at Verve – with a moody, evocative quality ... CD