This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Ginger Baker on drums, Artie Moore on bass, Todd Ayers on guitar, Shamie Royston on organ, Glenn Taylor on pedal steel guitar, Eric Gunnison on piano, Fred Hess on tenor saxophone, James Carter on tenor saxophone & bass clarinet & Ron Miles on trumpet. CD
A classic set of high-class jazz from the MJQ – one that shows John Lewis' growing compositional skills, and the band's always tight ability to work in a compressed chamber format. Features the extended "Fontessa" suite, plus the tracks "Versailles", "Angel Eyes" ... CD
Larger group meditations by the Modern Jazz Quartet – working here in an expanded lineup that includes work from Phil Woods, Charlie Mariano, Seldon Powell, Richie Kamuca, Clark Terry, and Jimmy Cleveland! The album takes a core MJQ groove, and only seems to lay out out over the larger ... CD
An expanded setting for the Modern Jazz Quartet – and a very compelling little record that has the core combo augmented by larger orchestrations from Gunther Schuller – who has a very sympathetic ear for their sound! Schuller's charts are never overwhelming – and instead shade ... CD
Truly one of the Modern Jazz Quartet's greatest albums – and a set that has an edge and a darkness that's missing from some of their other Atlantic records! Part of the reason for this may be the group's fantastic reading of Ornette Coleman's "Lonely Woman" – a killer moody ... CD
A standout set from Shorty – tightly arranged numbers performed by a quartet that includes Jimmy Giuffre, Pete Jolly, Curtis Counce, and Shelly Manne – all working with Shorty in perfect west coast form! Despite the length of the tunes, the overall feel is similar to Rogers' excellent ... CD
2 of the best 60s albums by Brother Jack McDuff! Tobacco Road first appears to be just a bunch of jazz covers of standards and pop tracks – like "Tobacco Road", "Shadow Of Your Smile", "This Bitter Earth", and "Teardrops From My Eyes" – but Jack's ... CD
The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative ... CD
2 lost soul jazz classic from the Atlantic catalog! Hank Crawford's Soul Clinic is one of the few albums we really like by him, and it features the soulful altoist playing in a group with David Fathead Newman and some other lesser-known players who are nice and soulful. The set's got some warm ... CD
These two records for Atlantic represent some of the best Shorty Rogers work of the 50s! Unlike his RCA sessions, which could get a bit too formulaic, both of these are a bit more open-ended, with slightly longer tracks than usual, and with different groupings of west coast players (Jimmy Giuffre, ... CD
A surprisingly wonderful 70s meeting between Gerry Mulligan & Chet Baker – recorded live, with sweet electric touches from CTI – in a style that shouldn't work so well, but which really comes off great! The approach is simple – Mulligan and Baker solo in a manner that's a bit ... CD