This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... CD
A smoking live set from Cannonball Adderley – one recorded in a space between his famous concert albums for Riverside and Capitol Records – and equally as great as any of them! The group's got a slightly unique lineup – in that Charles Lloyd is in the combo on tenor sax – ... CD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... CD
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark ... CD
Rare work by Cannonball Adderley – recorded in the early 60s, but not issued until after his death! The album features live material – recorded in Tokyo and San Francisco – performed by Cannon's amazing sextet that includes Joe Zawinul on piano, Yusef Lateef on reeds, Nat ... CD
A partner album of sorts to Jimmy Smith's classic Midnight Special album – recorded during the same sessions as that one, and also featuring Stanley Turrentine on tenor and Kenny Burrell on guitar! The sound here is almost even more open and stretched out – with only 4 long tracks on ... CD
Howard McGhee's trumpet work for Blue Note was probably his best-ever – and it sparkles with a modernist approach to bebop that shows the early-50's maturity of the movement in the hands of its masters. McGhee leads a crackling sextet here that includes Max Roach, JJ Johnson, Kenny Drew, and ... CD
A perennial favorite in the Jimmy Smith catalog for Blue Note – and a smoking little set that has Jimmy's Hammond grooving nicely alongside tenor from Stanley Turrentine and guitar from Kenny Burrell! Only Donald Bailey's drums remain from Jimmy's regular trio, but that shift is fine, given ... CD
During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more ... CD
Excellent work from the team of Thad Jones and Mel Lewis – arguably one of their best albums from the late 60s, and a set that's got some really great funky big band numbers! There's a nice bouncing groove to the group that they normally don't have – possibly because Richard Davis is ... CD