This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the rarest Art Blakey sessions of the late 50s – recorded during that brief time when the Jazz Messengers featured Jackie McLean on alto sax! The set's also unusual in that it's one of the few jazz dates for Elektra Records in the early years – recorded here with an edge that's ... LP, Vinyl record album
An obscure Jazz Messengers session – but a great one! The album is ostensibly a set of jazz versions of tunes from the musical Golden Boy, and the group this time is a larger one than usual – a total of 10 players, led by Blakey – and playing beautifully over arrangements from ... LP, Vinyl record album
Key solo work from Charlie Byrd – a record that features his playing on acoustic guitar, and no other accompaniment – bravely recorded at a time when most players of his nature were shifting towards larger arrangements. And yes, Byrd was also working in that format at the time, too ... LP, Vinyl record album
Bill Evans' first album as a leader – and a well-titled set that went onto transform the sound of the piano in jazz! The session isn't as lyrically free as some of Evans' later classics, but already has an undeniably fresh approach to the keys – one that's modern, yet never academic ... LP, Vinyl record album
Tommy Gwaltney's Kansas City Nine with Buck Clayto
Trad revival material by this group that featured Buck Claton on trumpet, Dickie Wells on trombone, Tommy Newson on tenor, Charlie Byrd on guitar, and Gwaltney on alto, clarinet, and vibes. Tracks are short and include some originals, written in a classic 30s KC mode – plus a few older tunes. ... LP, Vinyl record album
A strangely beautiful record recorded during Pee Wee Russell's brief comeback as a modernist folk hero during the 60s. As with a number of his other sessions from the time, Russell's tone is amazingly angular, with strange off-kilter notes that expose the genius that had been lurking for years ... LP, Vinyl record album
As classic as it comes for late 50s Blue Note – and a key meeting between Sonny Rollins and Thelonious Monk! The group on the set features Rollins and Monk with JJ Johnson, Paul Chambers, and Art Blakey – all of whom push things more in the direction of Blue Note's sound of the time, ... LP, Vinyl record album