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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
It's often said that the late material by Duke Ellington is some of his most adventurous and exciting – and with this rare album from 1973 as proof, we'd have to agree! Collages features Duke's piano playing backed by a large symphonic group conducted by Canadian leader Ron Collier. The ... LP, Vinyl record album
West coast recordings from the early 50s, with Clark Terry, Cat Anderson, and Ray Nance on trumpets, Quinten Jackson, Britt Woodman, and Juan Tizol on trombones, Jimmy Hamilton on reeds, Willie Smith on clarinet and tenor, Russel Procope on alto and clarinet, Paul Gonsalves on tenor and clarinet, ... LP, Vinyl record album
A collection of recordings from the 40s, with sidemen that include Juan Tizol and Lawrence Brown on trombone, Jimmy Hamilton on clarinet, Johnny Hodges on alto, Barney Bigard on clarinet and tenor, Ben Webster on tenor, Ray Nance and Wallace Jones on trumpet, with Fred Guy on guitar, Junior Raglin ... LP, Vinyl record album
Recorded live at Konserthuset in Stockholm, Sweden, with Cootie Williams, Cat Anderson, Rolf Ericson, and Herbie Jones on trumpets; Johnny Hodges, Russell Procope, Jimmy Hamilton, Paul Gonsalves, and Harry Carney on reeds; Lawrence Brown, Buster Cooper, and Chuck Connors on trombones, Jimmy Woods ... LP, Vinyl record album
The album's a bit less "historical" than you might guess from the title – at least at the time it was issued in the mid 50s! The material is from Chicago sessions recorded in 1956 – unusual non-Columbia material for the period, featuring the Ellington group working in a ... LP, Vinyl record album
With Wallace Jones on trumpet, Ray Nance on cornet and violin, Rex Stewart on cornet, Lawrence Brown and Joe Nanton on trombone, Juan Tizol on valve trombone, Barney Bigard on clarinet and tenor, Johnny Hodges on alto, sooprano, and clarinet, Otto Hardwick on alto, Ben Webster on tenor, Harry ... LP, Vinyl record album
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to ... LP, Vinyl record album
Duke Ellington at Newport and in the studio – in a set of tracks recorded both live and away from the concert – but with a really unified feel overall! Duke's group here is in fine fine form – with key late 50s players who include Johnny Hodges on alto, Paul Gonsalves on tenor, ... LP, Vinyl record album
A sweet live set from Dave Brubeck's early years on Columbia Records – recorded in New York, but with all the calculated cool and modern tones Brubeck first forged in the San Francisco scene of the 50s! Paul Desmond's on board on alto sax – really getting a lot of space to stretch out ... LP, Vinyl record album