This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... CD
A rare soul jazz session from alto saxophonist Leo Wright – a player that we mostly know from his bossa work of the early 60s! The session's extremely noteworthy as being one of the few to feature female organist Gloria Coleman – a player with whom Wright worked on her classic 1963 ... CD
A really unique collaboration between fluteman Herbie Mann and soul singer Tamiko Jones – a vocalist who's always a really special talent, and who has an equally great ear for jazz as well! That style works perfectly here – as the vibe is somewhere between Herbie's Latin and Brazilian-s ... CD
Although the name of George Wein is usually associated with some super un-hip trad jazz projects, this album's actually a pretty cool batch of grooves that matches Wein's older jazz tendencies with some newer styles of playing – and some good electric instrumentation on the best cuts. The ... CD
Some killer flute jazz classics from Herbie Mann's years on Atlantic records – titles that include "Comin Home Baby" in two long takes – plus "Philly Dog", "Memphis Underground", "This Little Girl Of Mine", and "A Man & A Woman", ... CD
Sweet funky flute from Art Webb – an overlooked 70s jazz player who's probably best known for his Latin fusion work, but who really shines here in a more soul-based setting! This set shows Art working strongly in a mode that references that part of his career, yet also has him stepping into ... CD
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My ... CD
Birth Of Hard Bop brings together four different sessions – most recorded under the leadership of tenor Hank Mobley – and features work by Donald Byrd and Lee Morgan on trumpet, Barry Harris and Horace Silver on piano, Doug Watkins on bass, and Kenny Clarke and Art Taylor on drums. CD
Lester Bowie on trumpet, flugelhorn, and bass drum, Roscoe Mitchell on sopranino, soprano, alto, tenor, baritone, bamboo saxophone piccolo], bamboo flute, bells, gong, whistle, woodblocks, and chimes, Malachi Favors on bass, percussion, bells, and whistle, Famoudou Don Moye on tambourine, maracas, ... CD