This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Not the young McCoy Tyner pictured on the cover but actually a later live date, recorded at the Warsaw Jazz Jamboree. Tracks include "Beautiful Love", "Giant Steps", "Darn That Dream", "Monk's Dream", "Mis Bea", "Rio", and "Lady From ... CD
Bold work from McCoy Tyner – a sweet set recorded for the Japanese Denon label in the 80s! The title's a reference to two different trios used by Tyner for the record – one with Avery Sharpe on bass and Louis Hayes on drums, plus a bit of percussion from Steve Thornton – the ... CD
McCoy Tyner certainly should have no trouble remembering John – given that Coltrane was once his old boss – but apart from that easy reference in the title, the set has plenty more to offer – and is easily one of the most dynamic Tyner trio sessions from the later years of his ... CD
Understated genius from McCoy Tyner – and exactly the sort of record that shows why his catalog is always worth searching out! The album's got a lot more subtlety than his immediate post-Coltrane sides of the 70s – righteousness maybe a bit more on the backburner, but not so much so ... CD
With Joe Ford on alto saxophone, Doug Harris on flute & alto saxophone, Avery Sharpe on bass, Aaron Scott on drums, John Clark on french horn, Jerry Gonzalez on trumpet & percussion, Billy Harper & John Stubblefield on tenor saxophones,Frank Lucy & Steve Turre on trombones, Earl ... CD
Don't be put off by the late date of the session, because this is an excellent album from McCoy Tyner – and one with a very spiritual groove that's clearly inherited from Coltrane! The album's based around longer compositions arranged by Tyner, and orchestrated by the great William S Fischer ... CD
Soaring brilliance from McCoy Tyner – one of his first large group outings, and an effort undertaken with key help from William Fischer! There's a sense of soaring freedom here that's very much like Tyner's smaller group albums of the time – but Fischer tunes it with a broader sense of ... CD
One of Tyner's great searching mid 70s sides. This is the sort of record we used to take for granted from coming across it often enough to ignore it, but once we dropped the needle, we find ourselves returning to it often. Featuring a quintet with then younger progressive players like Azar ... CD
A nice later set – with a fair bit of solo material, but also a few duets each with John Scofield on guitar and George Adams on tenor! Includes the bonus tracks "Lush Life", "Sweet & Lovely", and "Song For My Lady". CD
Hard-slamming genius from pianist Sonny Clark – one of his greatest albums for Blue Note, and a real cooker that's served up with an all-star group! Clark's vision has never been tighter or fuller than on this album – save, perhaps, for the magnificent Cool Struttin – and his ... CD
A sweet trio set from bassist Ron Carter – done with great piano from Kenny Barron and guitar from Herb Ellis – a really sensitive pair who make things swing gently with Carter throughout! Ron's warm basslines really direct the set strongly – and the lean recording style gives ... CD