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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A seminal, yet unusual 50s Blue Note treasure! The album brings together a number of Horace Silver's great trio recordings from the early 50's, most of them with Art Blakey on drums, showing the fluid, rumbling genius that would later make him such a great leader. But the record also includes 2 ... CD
A beautifully soulful set from Horace Silver – hardly the "with brass" session you might guess from the title, and instead a well-integrated album that really showcases a new level of arranging genius from Horace! The set is heavy on hip horns – with work from Oscar Brashear, ... CD
Killer early work from Horace Silver – and a rare non-Blue Note session from the 50s! The album's Horace's only date for Columbia, and it's got a feel that's similar to some of the Jazz Messengers' hardbop recordings for the label at the time – cooking with a soulful intensity at the ... CD
One of Horace Silver's greatest records ever – and the album that always makes us remember how many of his tunes are now etched in the memory of modern jazz! The album's got a slightly exotic bent that you might guess from the title – a furthering of the sound that Silver first started ... CD
A killer session from Horace Silver – a record that has the legendary Blue Note pianist working with his famous quintet that includes Blue Mitchell on trumpet, Junior Cook on tenor, Gene Taylor on bass, and Louis Hayes on drums! The album's one of the group's first, and really showcases ... CD
A great Horace Silver album – and one of the rarest! The record features some top-line material that virtually defines Silver's post-Jazz Messengers sound – tracks that come out with a hard and heavy groove, yet which also have a lightness in the mix too – a sense of play and ... CD
A record with Horace Silver on the cover, but a set that's really more of a Jazz Messengers date overall – as it features a smoking quintet that not only includes Art Blakey on drums and Doug Watkins on bass – but which also has some great frontline work from Hank Mobley on tenor and ... CD
A tremendous pairing of guitarists – both musicians who first helped change the sound of the instrument in jazz during the 70s, and who somehow come together here at a level that not only brings out the best in both, but also seems to evolve the music too! Scofield and Metheny are masters of ... CD
A wonderfully free-thinking set by Kenny Dorham – and a record that really breaks from his earlier work! The album's not exactly experimental, but it features longer tracks with a looser approach than some of Dorham's sweeter shorter work – more in a rhythmically progressive mode that ... CD
A classic early set featuring the Jazz Messengers back when the group was less of an Art Blakey project, and more of an all-around affair – as you might guess from a lineup that also includes Horace Silver on piano, Kenny Dorham on trumpet, Hank Mobley on tenor, and Doug Watkins on bass! The ... CD
A classic Blue Note meeting of two of the label's top talents in the early 60s – Hammond hero Jimmy Smith, and the up-and-rising Stanley Turrentine on tenor! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious ... CD