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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An excellent gimmick – and yet another way that United Artists was trying to push its "Bond" catalog in the 60s! Count Basie brings a soulful swing to the work of John Barry – hitting hard on the tracks with his own smoking piano, and an orchestra filled with some of his best ... LP, Vinyl record album
Groovier than before from Buddy Morrow – with versions of "Ode To Billie Joe", "Blue Baroque", "The Teacher", "Gimme Little Sign", "Rescue Me", and "Sunny" – all set to arrangements by Walter Raim! LP, Vinyl record album
This is the small combo recording of tracks from the legendary jazz score to I Want To Live! Although not featured that prominently in the film, the band of Gerry Mulligan, Art Farmer, Bud Shank, and others were a pretty tight little group – even though it was strange to see this west coast ... LP, Vinyl record album
A killer set of grooves from vibes legend Johnny Lytle – one of the first and one of the few to ever combine vibes with Hammond organ – in this case, the work of Milt Harris on the keys! The group is a very rhythmic trio, thanks to Harris on the bass pedals, and Penny Hinant on the ... LP, Vinyl record album
A key album in the career of Richard Groove Holmes – his first session ever for Prestige Records, and the one that yielded the monster crossover hit version of "Misty"! The sound here is much leaner and cleaner than Groove in his Pacific Jazz years – a tight trio approach ... LP, Vinyl record album
Seminal work from bassist Teruo Nakamura – one of the few Japanese fusion players of the 70s to make a bit of a splash over on this side of the Pacific, thanks to wickedly soulful work like this! Teruo's getting some great help here from a handful of American players – including the ... LP, Vinyl record album
Groovy instrumentals from the great Dave Baby Cortez – all played with that tightness he brought to the organ in the 60s – a style of playing that paired down the modes the instrument had in jazz, and paved the way for countless others to help bring organ sounds to soul, rock, and other ... LP, Vinyl record album
Murray's tenor and bass clarinet are nicely set in a warm lyrical quartet with John Hicks, Ray Drummond, and Ed Blackwell. The record features some nice long tracks that have Murray playing mostly inside, but with enough soul and raw talent to keep things moving nicely. Titles include "Walter ... LP, Vinyl record album
Moody late night tenor musings by one of Blue Note's greatest talents of the early 60s! The album's a classic through and through – and the tenor of the mighty Ike Quebec is set up nicely in a solid quartet with Grant Green on guitar, Paul Chambers on bass, and Philly Joe Jones on drums. ... LP, Vinyl record album