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They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A long lost quartet recording led by pianist Burton Greene recorded at the Woodstock Playhouse in 1965! It's incredible stuff, from the loose, sparse and lyrical sounds to the more muscular, tense and riveting passages. Just a read of the lineup is exciting – Greene's working with drummer ... CD
One of Mingus' classic sessions from the middle period – a legendary blending of jazz with bluesy gospel touches, in a mode that seemed to move away from the politics of some of the late 50s years, and open up his work to a whole new audience! The band is an all-star ensemble all the way ... CD
A great CD that combines volumes 1 and 2 of Stan's early live recordings at Storyville – excellent small group sessions done with a group that includes Jimmy Raney on guitar, Al Haig on piano, Teddy Kotick on bass, and Tiny Kahn on drums. The mix of guitar and tenor is great together – ... CD
Beautiful 60s work from Hampton Hawes – a set from the middle of the decade, a period when he wasn't recorded all that often – but one not issued by Contemporary until his American revival in the 70s! The group's got a wickedly fluid feel – not just Hamp's always-amazing piano, ... CD
A wealth of great work by one of the greatest British jazz groups of all time! The Jazz Couriers were a legendary outfit fronted by the twin tenor team of Ronnie Scott and Tubby Hayes – and who also featured, at varying times on this set, piano by Terry Shannon, trumpet by Jimmy Deuchar, and ... CD
The debut full length from bass player, field recorder and soaringly spirited composer Nick Rosen – a pretty darn beautiful cosmic jazz influenced gem in the Build An Ark school of modern, genre defying starry soundscapes! The set is arranged by Rosen and Build An Ark's Miguiel Atwood-Ferguso ... CD
As pure a distillation of McCoy Tyner's lyrical vision as one could ever hope for – a brilliant early standout session for the pianist as a leader! McCoy is backed up here by the energetic drumming of Elvin Jones – with whom he shares a natural empathy from their many years together ... CD
An amazing set of work by John Coltrane – some of his best recordings ever, tracks that form a pivotal point between his later 50s work with Miles Davis and his mid 60s spiritual searching years. The set's unbelievably exhaustive – and includes every track that was ever issued by ... CD
Some of the funkiest work on guitar ever recorded – and a great overview of the legendary sessions that Grant Green recorded for Blue Note in the late 60s and early 70s! Years back, the label used to disown these sessions – claiming they were more commercial and lower-quality than ... CD
Before stretching out on Blue Note later on in the 60s, Larry Young started the decade with some great sets like this – straighter soul jazz that showed he had a very firm grasp on traditional modes for the Hammond – more than enough to allow his experimentation in later years! The set' ... CD