This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Roscoe Mitchell returns to a mode that he explored freely back in the 70s – loose, improvised collaborations with other musicians – done at a level that offers up a richly organic blend of sonic elements and musical moments! Some of Mitchell's later work has been more structured, but ... CD
Another wonderful album from this groundbreaking Chicago combo! The group's now a permanent quartet, with the extremely great addition of Jeff Parker on guitar and electronics – and the album continues to push the boundaries of Rob Mazurek's unique sound. The liner notes on the back refer ... CD
A very unusual setting for legendary saxophonist Paquito D'Rivera – as he works here with the Chicago avant combo Volcano Radar – who provide a mix of acoustic and electric elements while Paquito solos out front on clarinet and alto sax! The reedman is definitely very "libre" ... CD
An indie jazz classic from the Chicago scene of the 80s – the first album from trumpeter Brad Goode, a very fresh-voiced player with a range that goes far beyond his young years! Goode's got a great group here for the album – a combo that includes tenor player Lin Halliday, who's aging ... CD
Classic Delmark material from one of the core members of the Art Ensemble Of Chicago. Jarman leads a group that includes other AACM players like Fred Anderson, Thurman Barker, and Muhal Richard Abrams. Sherri Scott sings a bit, and the whole record has the spare feeling of some of the Art ... CD
Righteous work from a young Kalaparusha – easily one of the most spiritual players of his generation in the Chicago AACM – and a player who seems to single-handedly point the way towards the sound of jazz in the 70s! This crucially overlooked album is a tremendous musical statement ... CD
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-bre ... CD
Wynton Kelly's last recording session – a trio side from 1968, with Paul Chambers on bass and Jimmy Cobb on drums – not issued until later, after Kelly's death. The album's almost a return to the feel of his earlier Vee Jay albums with Chambers and Cobb – but tracks are a bit ... CD
Players include Branford on soprano and tenor, Kenny Kirkland on piano, Charnett Moffett on bass, and Jeff Tain Watts on drums – and titles include "Black Codes", "For Week Folks", "Chambers Of Tain", "Aural Oasis", and "Delfeayo's Dilemma". CD