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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Beautifully-recorded material by the great Wes Montgomery – some fairly open-ended tracks recorded for French radio in the 60s – with guest work from tenorist Johnny Griffin on a number of tunes! The core group here is great enough on its own – as Wes' guitar is backed by superb ... CD
Early greatness from Wes Montgomery – and a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger ... CD
Rare work from Wes Montgomery – a UK live date from the mid 60s, and one that features Wes working with the Stan Tracey trio! The set's got a similar open feel to the legendary Live At Jorgies set – and like that one, this recording really allows you to hear Wes open up in a grittier ... CD
Wes Montgomery joined by Ray Barretto, Kenny Burrell, Ron Carter, Paul Chambers, Jimy Cobb, Victor Feldman, Tommy Flanagan, Johnny Griffin, Albert Tootie Heath, Percy Heath, Lex Humphries, Milt Jackson, Hank Jones, Philly Joe Jones, Same Jones, Wynton Kelly, Buddy Montgomery, Monk Montgomery, Mel ... CD
With Monk Montgomery on bass, Buddy Montgomery on piano, Louis Hayes and Tony Bazley on drums, Pony Poindexter on alto saxophone, and Harold Land on tenor saxophone. CD
They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy ... CD
One of Hubert Laws' funkiest records for CTI – recorded with a full group funky style that's plenty darn great, and a lot harder-hitting than some of Hubert's more laidback sessions for the label! Arrangements are by Bob James and Laws – working here with a large batch of players who ... CD
Proof that Milt Jackson was easily the hippest member of the Modern Jazz Quartet – and one of the few who could really open up into different sounds away from that combo! This sweet 70s set for CTI is totally great – a whole new chapter for Jackson's vibes, and a real re-setting of the ... CD
An amazing second CTI set from Freddie Hubbard – one that takes off nicely from Red Clay territory, and starts to hit an even funkier mode! The tracks here are all relatively long, with a huge amount of solo space for Freddie on trumpet, Joe Henderson on tenor, George Benson on guitar, and ... CD
A killer set from those magical 70s years when Quincy Jones was effortlessly blending jazz, soul, and contemporary R&B – all to come up with a genre that's almost completely his own! In the early 70s, Quincy Jones surrounded himself with some of the best young soul and jazz talent he ... CD
A really back to basics album from trumpeter Don Cherry – or maybe a set that goes back to basics that Don didn't even have, given that most folks initially heard him in the freewheeling group of Ornette Coleman! The album's straighter than his work with Ornette, and also different than his ... CD