This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the best albums ever in Verve's classic set of recordings from the 1957 Newport Jazz Festival – a set that captures the Dizzy Gillespie group of the decade in top live formation! The ensemble here is plenty hip – with a young Lee Morgan joining Dizzy on trumpet, and a host of ... CD
Charlie Parker takes on the music of Cole Porter – with results that make for some of his most classic moments at Verve! Parker's horn is as hard-bitten as always, but it's also working here in a slightly lyrical vibe – one that brings out the warmth that Charlie could have at just the ... CD
One of the greatest jam session albums on Verve! Although some of the label's "big horn talent" albums tended to be a bit snoozy, this one crackles with energy, and features three different classes of boppers working together perfectly on long, lively tracks with Ray Bryant on piano, ... CD
McCoy Tyner on piano, Joe Henderson, Michael Brecker, and Wayne Shorter on tenor saxophone, Gary Bartz on alto saxophone, Woody Shaw on trumpet, Bobby Hutcherson on vibraphone, Art Davis, Avery Sharpe, George Mraz, Herbie Lewis, and Ron Carter on bass, and Aaron Scott, Al Foster, Elvin Jones, and ... CD
One of Roland Kirk's moodiest albums – and a record that really helped him find a big new audience in the 60s! The approach here is a bit different than some of Kirk's more bombastic jazz albums from previous years – gentle, and almost spiritual at times – thanks to heavy use of ... CD
A classic meeting of two giants from the early years of bop – altoist Charlie Parker and trumpeter Dizzy Gillespie – brought together here in a session that Norman Granz would later list as one of the truest realizations of his vision for recording jazz music! Parker's sharp lines are ... CD
Magical trio recordings from the classic trio that featured Bill Evans on piano, Scott LaFaro on bass, and Paul Motian on drums – a massive 3CD set of music, and one that brings together the complete June 1961 Village Vanguard recordings! The revolutionary bass work of LaFaro, and free-thinki ... CD