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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Lucky Thompson's best American albums of the 50s – a killer set that features him and Oscar Pettiford working in both quintet and trio formats! The quintet sides add in Jimmy Cleveland on trombone, Don Abney on piano, and Osie Johnson on bass – all grooving in a tight sort of ... LP, Vinyl record album
Goodbye Yesterday, hello 70s – as Lucky Thompson plays wonderfully here in a mode that's quite different than his early years – working in a cool group that includes Cedar Walton on electric piano and celeste, Larry Ridley on bass, and Billy Higgins on drums! While most cuts are ... LP, Vinyl record album
A key album in the career of Richard Groove Holmes – his first session ever for Prestige Records, and the one that yielded the monster crossover hit version of "Misty"! The sound here is much leaner and cleaner than Groove in his Pacific Jazz years – a tight trio approach ... LP, Vinyl record album
Although this session's produced by Orrin Keepnews, it's very much in the stretched-out space funk style of some of the David Axelrod produced Fantasy sessions, although perhaps with some more modal fusion touches. Hawes plays acoustic and electric piano, as well as Arp – and the rest of the ... LP, Vinyl record album
4 long tracks with plenty of room to roam around – a perfect setting for a young John Coltrane to demonstrate his distinctly different approach to the tenor sax! The album's one of Trane's key classics for Prestige – a quartet side that features backing by the trio of Red Garland on ... LP, Vinyl record album
A great early trio session from Ray Bryant – the kind of record that instantly shows why he caught such fire on the scene! There's a simplicity here that's almost invisible – a command of the keys that's strong, but not nearly as show-offy as some of Bryant's contemporaries. And given ... LP, Vinyl record album
One of the strongest albums that Shirley Scott ever cut with Stanley Turrentine – organ and tenor working together perfectly in a mellow soulful groove, sliding easily from track to track in a mode that still satisfies mightily over the years! The group is tight, soulful quartet, featuring ... LP, Vinyl record album
A beautiful name for a beautiful record – a classic set of hardbop material from John Coltrane's early years as a leader – and a session that has him working with Donald Byrd on trumpet, Red Garland on piano, Paul Chambers on bass, and Art Taylor on drums! The album's got a beautifully ... LP, Vinyl record album
Hip Twist indeed – as Shirley's joined here by husband Stanley Turrentine, whose tenor work on any Scott album always takes it to the next level! Stan's tone is still nice and raw here – blowing out some hard and soulful lines that are the perfect complement to Shirley's more composed ... LP, Vinyl record album
A 60s album that repackages the sessions that were featured on Movin Out – a record that features Rollins at the modernist edge of the bop years – playing in 2 different groups, one with pianist Elmo Hope, the other with Monk. Both groups have strong rhythm sections, and the material ... LP, Vinyl record album
A nice 70s reissue two-fer that brings together two sides of jazz King Curtis cut for Prestige. The first set, The New Scene Of King Curtis finds him accompanied by Wynton Kelly, Paul Chambers, and Oliver Jackson – plus trumpet from Nat Adderley, billed on the back as "Little ... LP, Vinyl record album
Shirley Scott plays both the organ and piano with George Duviver on bass and Arthur Edgehill on drums for these eight Duke Ellington tracks. The selections include "Caravan", "Just Squeeze In", "C Jam Blues", "Prelude To A Kiss", "In A Sentimental ... LP, Vinyl record album