Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Roy Ayers Ubiquity (with bonus track)

CD (Item 480415) Polydor/Verve, 1971 — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

One of the greatest Roy Ayers albums of all time – and one of the rarest! The record is right in the same vein as Roy's groundbreaking He's Coming LP – a righteous mix of soul jazz, subtle funk, and some of the cosmic wisdom that Roy was spreading among the jazz funk underground – all wrapped up beautifully, but never in a way that's like commercial soul of the time. There's a few instrumental tracks on the album, plus some vocal ones that show that off-beat male/female style that Roy would use more famously in later tracks like "Everybody Loves The Sunshine" or his work with Ramp. Players include Harry Whitaker on electric piano, Edwin Birdsong on organ, Alphonse Mouzon on drums, Jumma Santos on congas – and titles include a version of Nat Adderley's "Hummin", done as "Hummin In The Sun", and very much in the Ramp vein. Also features instrumental cuts "The Fuzz", which has Roy's vibes toned way up, and the cool mellow "The Painted Desert", a really offbeat slow jazz number. The group also does a great job with Edwin Birdsong's "Pretty Brown Skin", picking up the song as a really anthemic groover that gives the record a nice kick! CD also includes the rare 45-only track "He Gives Us All His Love" – originally done for the movie Cold Turkey.  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Roy Ayers

Let's Do It
Polydor/Soul Brother (UK), 1978. New Copy
CD...$8.99 16.99
Pure magic from the height of Roy Ayers' classic 70s run on Polydor – a record that's filled with warm, jazzy grooves – all served up in that unique style that Roy was forging at the time! The album perfectly balances dancefloor tracks with mellower numbers – stepping out one ... CD

Roy Ayers

Perfection
Aim (Australia), 2001. New Copy
A recent bit of work from Roy Ayers – but still plenty darn great, and proof that the vibes master hasn't faltered at all over the years! The set was initially released briefly by Roy in 2001, but is getting its proper debut here – and has Ayers working in a mostly instrumental mode ... CD
United Souls/Philadelphia International (UK), Early 70s. New Copy 8CD, book & bonus 12" single
CD...$139.99 149.99
An incredible tribute to the genius of the Philadelphia Records label – a box set that features CDs of eight important records on the imprint, plus a bonus 12" single, a 48 page book, a poster, and a numbered certificate too! Includes the records: Billy Paul/Going East – an ... CD
Boardwalk/Thump, 1980. New Copy
A classic bit of Latin soul from the west coast scene – a set that's got all the cool, classy vibe you'd expect from the image of Tierra up in the hills above LA! The set's a great summation of all the interest in soul styles that was brewing up in east LA during the 60s and 70s – a ... CD

Three Degrees

Gold (3CD set)
Philadelphia International/Crimson (UK), Mid 70s. New Copy 3CD
A great collection of work from the Three Degrees – a female soul group who really found a way to move the music forward after the girl group years of the 60s! The trio had recorded previously, in a somewhat more standard style of Philly soul – but during the 70s they hooked up with ... CD
Fantasy, 1975/1976. New Copy
2 classics from The Blackbyrds – back to back on a single CD! City Life is a fantastic album from the legendary jazz funk combo – a bit smoother than their first, but that's the great thing about it! The record has the band getting even tighter than before – coming up with an ... CD

Booker T & The MGs/The Mar Keys

Stax Instrumentals – Previously Unissued Tracks
Stax, 1960s. New Copy
25 rare tracks from the Memphis scene – 60s instrumentals by The Mar-Keys and Booker T & the MGs that have never been issued before! The Stax label is well known as the home to a wealth of famous soul singers – including Rufus Thomas, Otis Redding, Sam & Dave, Isaac Hayes, and ... CD
Polydor, 1969. New Copy
A rare lost treasure from James Brown – the full, unedited version of a live concert that was cut up and butchered for the Sex Machine album – presented here for the first time ever, with a huge amount of never-issued tunes! Sex Machine was one of those "fake" concert albums ... CD
Polydor/LMLR (France), 1977. New Copy
A fantastic late 70s album from James Brown – maybe one of his last true classics of the decade! The vibe's shifted a bit since the Payback era, but the sound is still totally great – as James is working closely here with Charles Sherrell (aka Sweet Charles) – in a style that's ... CD
Polydor, Early 70s. New Copy 2CD
A killer 2CD set of funky grooves by one of the best backing bands ever! The JBs were James Brown's legendary combo during his monster funk years of the early 70s – and this well-selected compilation brings together 30 rare tracks from their best years! The set's got a great set of notes ... CD

Terry Callier

What Color Is Love
Cadet/Verve, 1973. New Copy
Possibly the greatest album ever by the legendary Chicago soul singer Terry Callier! Terry's rich mellow voice is mixed with superb arrangements from the Cadet studio team, with Charles Stepney at the head, and the result is completely sublime. The songs are longer than on earlier albums – ... CD
Polydor (Japan), 1975. New Copy
One of the most fantastic albums by the JBs – a masterpiece of funky jamming, tight instrumentation, and that free yet tight style of the James Brown 70s years! The tracks are longer than on some of the earlier singles – especially the 8 minute jammer "(It's Not The Express) It's ... CD
 



⇑ Top