OV Wright : Memphis Unlimited (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Memphis Unlimited

CD (Item 479601) Back Beat/Reel Music, 1973 
Out Of Stock

CD

OV Wright at the top of his game -- working here with classic Memphis production from Willie Mitchell, and a sound that should have knocked Al Green right off of the charts! Wright's vocals have a rougher edge than Al's, and the record's really dripping with deep soul feeling -- a slow-burning energy that's perfectly handled by Mitchell, in ways that echo some of OV's bluesier roots, but keeps things in the more sophisticated Memphis modes of the 70s. The balance is perfect, and instrumentation is handled by a batch of Hi Records regulars -- including the Memphis Horns with Wayne Jackson and Andrew Love. Wright really rises to the occasion for the whole album, and the set's arguably better than any of his later work for Hi -- although that stuff is all pretty darn wonderful too! Titles include "I've Been Searching", "Lost In The Shuffle", "I'd Rather Be Blind Crippled & Crazy", "Ghetto Child", "You Must Believe In Yourself", and "I'm Going Home". Beautiful reissue pressing too -- with deep notes on the music, details of the session, vintage images, and even an OV Wright Discography too!  © 1996-2024, Dusty Groove, Inc.

There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs. These are the grades that we use and what they mean for items that are not new copies.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Hi Records/Ultra Vybe (Japan), 1977. New Copy
A stone killer from OV Wright – a record that's got all the raw, deeply soulful vocals we love in his early work – mixed with some wicked 70s Hi Records production from Willie Mitchell! Imagine an Al Green record, but with rawer vocals, and you've got a good idea of the feel of this ... CD

OV Wright

Live In Japan
Hi Records/Ultra Vybe (Japan), 1980. New Copy
OV Wright at the end of the 70s – working live in front of a very enthusiastic Japanese crowd, and in a groove that's right up their with his best work from earlier in the decade! In fact, there's a rawness here that you won't always find on Wright's other records – great live backing ... CD
Now Again, 1970. New Copy
A stunner of a record – the first-ever album by The JBs, never issued back in the day – and lost for years until it recently resurfaced on a test pressing! The set features a leaner, more stripped-down version of the group – one that features Bootsy Collins on bass, and which ... CD

Ray Alexander Technique

Let's Talk (with bonus tracks)
Harlem Sound/Now Again, 1973. New Copy
One of those obscure funk records that was even pretty darn obscure back in the day – at a time when so many other funk records weren't so obscure! But obscurity aside, the record also quickly grew into the stuff of legend – thanks to a groove that's totally great, and which has all ... CD
P&P, Late 70s. New Copy 2 CDs
CD...$6.99 15.98
Classic work from the legendary P&P Records label – created by one of the "P" talents who gave them their name – studio genius Patrick Adams, who mostly works here on his own under the name of Cloud One! Adams already had great success working with east coast soul groups ... CD
Sleeping Bag/Get On Down, 1981. New Copy 2 CDs
CD...$9.99 19.99
An incredible album from Dinosaur L – the legendary New York dancefloor project of Arthur Russell! – fleshed out and expanded more than ever before by Sleeping Bag and Get On Down Records! The group's core sound is a punky, funky, chunky amalgam of bass thumping, guitar riffing, ... CD

Equatics

Doin It!!!!
Now Again, 1972. New Copy
CD...$6.99 15.98
Rare 70s funky soul from The Equatics – just the kind of record that keeps us digging and still excited after all these years – resurrected by the like minded diggers at Now Again! You know the kind of album we're talking about, the ones you come across with enigmatic cover art, no ... CD

Wah Wah Watson

Elementary
Columbia/Get On Down, 1976. New Copy
CD...$6.99 14.98
A funky fusion classic from guitarist Wah Wah Watson – his only album as a leader, despite countless appearances as a sideman on 70s soul, jazz, and pop sessions! The album's got a really wonderful sort of west coast groove – one that takes bits of spacey fusion, bassy funk, and ... CD
Columbia/Reel Music/P&C, Early 70s. New Copy
CD...$6.99 15.99
Amazing rare soul from Gwen McCrae – little-known material recorded for Columbia records in the years before her later 70s fame at TK! The style here is nice and rootsy – very southern soul in its approach, even more so than Gwen's earliest work at TK – thanks, perhaps, to less ... CD

Silver Convention

Love In A Sleeper
Midsong/Goodtime, 1978. New Copy
The Silver Convention are still recording in Germany here, but they're getting some great help from John Monster Davis – who seems to warm the grooves up a bit more than before, and give the album a nicely needed dose of soul! The song format is similar to their hits – three lead ... CD

Final Solution

Brotherman
Numero, 1975. New Copy
CD...$8.99 16.99
A never-heard soundtrack for a never-seen film – and a record that's every bit as funky as better-known sets from the blacksploitation era! Final Solution were a small time group from Chicago's west side in the 70s, but on this wicked little soundtrack they sparkle just as brightly as Isaac ... CD
Glades/Ultra Vybe (Japan), 1978. New Copy
Latimore's digging deeper, and sounding greater than ever – working at Muscle Shoals with some great Miami production from Steve Alaimo – and coming across with a sound that's even warmer and more sophisticated than before – yet still very true to its deep soul roots too! At a ... CD
 



⇑ Top