This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Keith Jarrett on piano, soprano sax, bass recorder, celeste, and drums – with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motion on drums and percussion. LP, Vinyl record album
Keith Jarrett hits some of the styles of his later ECM years – working here on both piano, soprano sax, and percussion – in a quartet with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motian on drums and percussion. The first half features the long "Eye ... LP, Vinyl record album
A very unusual record – one that has Keith Jarrett playing some solo organ – and a baroque organ at that – but in ways that are quite different than you might expect! The sounds here are amazing – almost noisy at points, as Jarrett really works the instrument in an ... LP, Vinyl record album
Dark and moody work from Keith Jarrett – a record that builds strongly off his ensemble feeling of the Impulse years, but which also seems to carry a bit more of the introspective vibe he was building up in some of his more stripped down solo recordings! The group's still a great one here ... LP, Vinyl record album
Wild and wonderful work by Keith Jarrett – light years away from his records on ECM! The album features a quartet that includes Dewey Redman on tenor, Charlie Haden on bass, and Paul Motian on drums – but it's clearly Keith who's driving the bus here, taking lots of odd twists and ... LP, Vinyl record album
A lost gem from Keith's "with horns" period – a quintet session from the mid 70s, recorded with a group that features Dewey Redman on tenor, plus Charlie Haden on bass, Paul Motian on drums and percussion, and Guilherme Franco on additional percussion. The feel is a bit straighter ... LP, Vinyl record album
A fantastic 70s album from Gary Burton – a set that definitely has the "new" promised in the title, as it takes off more from some of Gary's work in previous years! The record's got this explosive sense of color that really comes through in Gary's vibes – and in the way the ... LP, Vinyl record album
With Stanton Davis, Malachi Thompson, Bruce Purse, and Bowie on trumpet – plus Craig Harris and Steve Turre on trombone, Vincent Chancey on French horn, and Phillip Wilson on drums. Titles include "Coming Back Jamaica", "Nonet", "When The Spirit Returns", and ... LP, Vinyl record album
Lester Bowie's no pretender here – as he really sounds great as a leader on his own, away from the Art Ensemble Of Chicago – really finding his voice in music, and dipping into a full range of styles and expressions! Bowie's keen wit and sensitivity both come into play here – and ... LP, Vinyl record album
A very unusual project from Michael Mantler – a mixture of spoken word and music, based on a work by Harold Pinter – with voice from Robert Wyatt, Carla Bley, and Kevin Coyne – plus keyboards from Bley, percussion from Wyatt, and guitars from Chris Spedding! LP, Vinyl record album