Sylvia DeSayles is quite an unusual singer – one with a deeper voice than most of her contemporaries, and a way of putting over a tune from the toes upward! The style's a bit like Morgana King, but never as mellow – as Sylvia really seems to put a bit of force on some tracks. But the record's also a pretty strong one, thanks to backings from Peter Matz and Sy Oliver – both of whom set DeSayles up with styles that fall nicely in the reworked vocal territory of the early 60s – that legacy of Cy Coleman and other contemporaries that made things a bit groovier than before. Titles include "The Best Is Yet To Come", "Wild Is Love", "Strange", "It Amazes Me", "Warm Winter", "Don't Explain", "Maried I Can Always Get", and "I'll See You Again". (Gold label pressing with deep groove.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.