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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Way more than just a James Moody album – a true proof of his genius in the 60s! The album was put together under the guidance of Tom McIntosh – a very hip young writer and arranger that Moody had been pushing on other records, and who steps into the limelight here with a wonderful set ... LP, Vinyl record album
James Moody really blows us away with this mid 50s set – already stepping past the straighter bop of early years, and finding a way to extend his sounds and moods through some tremendous solos and mighty fresh arrangements! The album's exactly the kind that makes Moody unlike anyone else ... LP, Vinyl record album
A sweet set of electric funk from James Moody – and a great little record to match the grooves he was laying down at the Perception label in the early 70s – with a very unique sound! Moody's working here alongside some sweet work on electric piano by either Jodie Christian or Tennyson ... LP, Vinyl record album
A wonderful album from Moody – one of his "comeback" albums for Chess/Argo, recorded after his release from the Overbrook institution, hence the title. By this point, Moody was writing and playing with much more of an edge than during his bebop days – and the record certainly ... LP, Vinyl record album
The genius of Moody! It's an album like this that you need to prove to your friends that Moody was way way more than a simple bopper. The set was recorded live in San Francisco in 1961, and it's got a hip mix of soul jazz, filtered through some modernist ideals, all played by a great little group ... LP, Vinyl record album
An incredible collective of musicians – all recording here under the mighty leadership of Archie Shepp! The feel of the session is a highly collaborative one – far more so than even Shepp's other Paris work for the BYG/Actuel label – as a richly varied lineup that includes Leroy ... LP, Vinyl record album
One of Jack McDuff's first albums as a leader – and a really solid cooker that also features vibes and tenor sax! Given that McDuff hardly ever recorded with vibes again, the session's got a real standout sound that deserves to be heard – as Jack's smoking work on the Hammond comes ... LP, Vinyl record album
Eddie Lockjaw Davis/Coleman Hawkins/Arnett Cobb/Bu
The title's terrible, but the album's a great one – a really classic-styled jam session, of the sort that the Prestige label hardly ever recorded! The session features 4 tenor giants of slightly older vintage – Eddie Lockjaw Davis, Coleman Hawkins, Arnett Cobb, and Buddy Tate – ... LP, Vinyl record album
Red Holloway caught in two different modes – one with organ, the other with piano – both plenty darn great! Side one features Holloway working with a very young Lonnie Smith on Hammond and George Benson on guitar – in a mode that's quite similar to the groove Red laid down with ... LP, Vinyl record album
A 2LP set that compiles early recordings made by Getz for Prestige – about half of them titles that were issued on early singles, combined with material from the album Stan Getz With Cal Tjader. The early singles feature a few tunes with the "brothers" style sound – Brew ... LP, Vinyl record album
Mid 70's 2LP set that combines fantastic early work from Gil Evans and Tadd Dameron. The Gil Evans tracks are shorter and less ambitious than some of Evans' work on Impulse, but the group is excellent – and even in a shorter format, the conception of the work still contains plenty of rich ... LP, Vinyl record album
A legendary concert – recorded at Massey Hall in Toronto, with a previously-unmatched quintet of superstar bop players: Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums. This reissue set also includes the Bud Powell trio ... LP, Vinyl record album