Milt Jackson : Ain't But A Few Of Us Left (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Ain't But A Few Of Us Left

LP (Item 478224) Pablo, 1982 — Condition: Very Good+
The title's a bit self-pitying, but the music certainly isn't – and even at this late point in his career, the sound of Milt Jackson is coming across loud and clear – possibly more so, because Milt's firmly shaken off the mellower modes of his years with the MJQ! The record has Jackson working with the Oscar Peterson trio with Ray Brown on bass and Grady Tate on drums – and the overall structure of the tunes is definitely dictated by Peterson, but very strongly touched by Jackson once his vibes ring into the mix. Titles include "Stuffy", "Body & Soul", "What Am I Here For", "If I Should Lose You", "A Time For Love", and "Ain't But A Few Of Us Left".  © 1996-2024, Dusty Groove, Inc.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Savoy, 1955. Very Good-
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session ... LP, Vinyl record album
Riverside/Milestone, 1962. Sealed 2LP Gatefold
Two great 60s albums from vibist Milt Jackson – both a bit unusual in format! On Big Bags, Jackson takes on a set of 10 standards (mostly) with some help from Tadd Dameron and Ernie Wilkins on larger group arrangements! Milt's the primary soloist, buoyed by an orchestra built around a ... LP, Vinyl record album
Riverside, 1962. Near Mint-
A sweet larger group session from vibist Milt Jackson – proof that he was really trying to stretch his wings, and get into new things during the 60s! The set's got Milt working with some great help from Tadd Dameron and Ernie Wilkins on larger group arrangements – nicely swinging ... LP, Vinyl record album
Blue Note, Late 40s/Early 50s. Near Mint-
Wicked early work from Milt Jackson – a record that's got a lot more of an edge than some of his later work with the Modern Jazz Quartet – a near-perfect modernist bop sound that's every bit the best side of Blue Note in the early 50s! The groups here are really great – one a ... LP, Vinyl record album

Milt Jackson

Plenty, Plenty Soul
Atlantic, 1957. Very Good+
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and ... LP, Vinyl record album

Milt Jackson

Ballads & Blues
Atlantic, Late 50s. Very Good+
The title says it all with this one – as Milt Jackson plays a set of ballads, and a set of blues – but both in ways that really make the best of his warmly chromatic approach to the vibes! The players here vary on different tracks, but apart from MJQ regular John Lewis, the album also ... LP, Vinyl record album

Milt Jackson

Olinga
CTI, 1974. Near Mint- Gatefold
Milt Jackson's third album for CTI – part of a wonderful run that really helped him redefine his sound in the 70s! The album's got the electric approach you'd expect from the label – a great change from the sound of Jackson in the Modern Jazz Quartet, and a surprisingly great setting ... LP, Vinyl record album
Atlantic, 1959. Near Mint-
A beautiful setting for the vibes of Milt Jackson – a record that has his sublime chromatic sound stepping out in front of fuller orchestrations from Quincy Jones – never overdone, but with just the right sort of soulful focus to send Milt over the top! The album's an early example of ... LP, Vinyl record album

Milt Jackson

Opus De Jazz
Savoy, 1955. Very Good
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session ... LP, Vinyl record album

Sonny Criss

Intermission Riff
Pablo, Early 50s. Sealed
5 hard to get numbers by alto genius Criss from an obscure 1951 date at the Shrine Auditorium – with a slightly largeish group that includes Bennie Green, Joe Newman, Eddie Lockjaw Davis, and Kenny Clarke. Nice lengthy takes in this lost set of include "Intermission Riff", "How ... LP, Vinyl record album
Pablo, 1953. Near Mint- 3LP Box Set
A Pablo Records release – but featuring material that was originally destined for Verve Records in the 50s – a rare performance in Japan by the Jazz At The Philharmonic! The double-length set is overflowing with goodness, all recorded in the open-ended, warm-hearted style that Norman ... LP, Vinyl record album

Jo Jones

Main Man
Pablo, 1976. Near Mint-
With Harry Edison and Roy Eldridge on trumpets, Vic Dickenson on trombone, Eddie Davis on tenor, Sam Jones on bass, Freddie Green on guitar, and Tommy Flanagan on piano. LP, Vinyl record album
 



⇑ Top