CD, LP, Vinyl record album cover art
View larger image       Image note

15 Years Of West Coast Cool

CD (Item 477915) Ubiquity, 1990s/Early 2000s — Condition: New Copy
$5.99 ...

CD

List Price: 16.98
(€5.40 || £3.92 || ¥715) (approx.)
4.80 39

A massive look at the music of Greyboy – one that features classic cuts, previously unreleased tracks, and rare mixes as well! Back in the early 90s, when most of the few funky records coming out of the west coast were pretty darn weak, Greyboy really caught our ears with his raw, stripped-down approach to a groove – a sound that was influenced by 70s funky jazzy, but also done with some harder, heavier beats as well – really the first great American contribution to the sound that bubbled out from the London acid jazz scene – yet done with a much harder edge than most of its overseas progenitors! This package is a great reminder of why we first fell in love with Greyboy's music all those years back – and it's filled with loads of funky cuts from years back, plus some recent mixes and singles that really help expand the collection. Titles include "Unwind Your Mind", "Whirlwind", "Mastered The Art (Nicola Conte Jet Sounds rmx)", "Ruffneck Jazz", "Hold Your Weight", "Hold It Down (Greyboy rmx)", "Genevieve", "To Know You Is To Love You", "Love", "Color In Between The Lines"," Missin Something", "Got To Be A Love", "Grey's Groove", and "Panacea".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Brownout Presents – Brown Sabbath
Ubiquity, 2014. New Copy
A funky riff on some of the mightiest slabs in the Black Sabbath oeuvre – done up masterfully by Adrian Quesada and the Brownout collective! Where the Sabbath originals are all lumbering menace and sludgy rhythms, Brownout brings in Latin funk percussion, tripped out keyboard textures and ... CD
CD, LP, Vinyl record album cover art
Stone By Stone
Ubiquity, 2014. New Copy
A really great second album from Ikebe Shakedown – easily the group's best work so far, and a real cut above the usual Afro-styled groove! These guys have a great way of laying back in their rhythms – still keeping things funky, but nicely paced too – so that there's a fresh feel ... CD
CD, LP, Vinyl record album cover art
Lord Newborn & The Magic Skulls
Ubiquity, 2009. New Copy
CD...$5.99 16.98
Massively messed-up grooves – and a rare one-off collaboration between Money Mark, Shawn Lee, and Tommy Guerrero – all artists we've come to love for their own funky music over the years! The sound here is as wild as you'd expect from the cover – a really trippy approach to funk ... CD
CD, LP, Vinyl record album cover art
Tropicoso
Nacional, 2014. New Copy
CD...$9.99 10.98
A heady sound from Jungle Fire – a group who seem to be equal parts 70s Afro Funk and Latin – with percussion that rivals the best of the latter, and horns and guitar that match the best of the former! The group's got a super-sharp approach, but one that's never slick or commercial ... CD
CD, LP, Vinyl record album cover art
Magnetica
Tru Thoughts (UK), 2014. New Copy
Quantic goes back to the old school with this sweet little set – and by that, we mean his own old school – from the years when he was mixing a lot more electric elements in his music! The record takes all the great Quantic sounds in recent years – his experiments with deep funk, ... CD
CD, LP, Vinyl record album cover art
Dawn
Hope Street (Australia), 2014. New Copy
Richly soulful vocals and gritty funk backdrops from singer Emma Donovan and the funky Putbacks band – an great little set from the Australian scene! We had a pretty good idea of how strong the Putbacks are, thanks to a stellar couple of singles – but their stylistic breadth comes into ... CD
CD, LP, Vinyl record album cover art
Follow The Path/Outside Beyond
Freestyle (UK), 2014. New Copy 2CDs
The Shaolin Afronauts have definitely followed their own path in recent years – a musical journey that's taken them way past their Afro Funk roots, into rich, complicated territory that seems to span the globe with its sound! Core elements here echo classic Nigerian, Ethiopian, and West ... CD
CD, LP, Vinyl record album cover art
Black Out
Fania, 1970. New Copy
Stone funky Latin soul from the younger member of the Santamaria family! Black Out is one of Monguito's greatest – a hip album of groovy late 60s tracks that perfectly blend the Latin and soul sides of the Spanish Harlem scene. Marty Sheller handled arrangements on some of the album's best ... CD
CD, LP, Vinyl record album cover art
Tratore (Brazil), 2014. New Copy
A really great tribute to the legendary Brazilian singer/songwriter Chico Buarque – a set that presents some of his best songs ever, with English lyrics exclusive to the recording – at a level that only makes us love Chico's music even more than before! The project was put together by ... CD
CD, LP, Vinyl record album cover art
Sessions
CuBop/Ubiquity, 1980s/1990s. New Copy
CD...$5.99 16.98
After having such great success with their two recent Bobby Matos recordings, Cubop has gone ahead and put together this great collection of material that Bobby recorded over the past 15 years. It includes a few tracks recorded for Cubop and not released at the time (including a very funky Latin ... CD
CD, LP, Vinyl record album cover art
CuBop/Ubiquity, 1999. New Copy
CD...$5.99 16.98
Although the Ubiquity label originally started out as a home for rare groove and funky jazz, sometime in 1995 they began their Cubop imprint as a home for all of the great Latin jazz currently being played on the west coast. The label immediately became one of the best Latin ones out there – ... CD
CD, LP, Vinyl record album cover art
CuBop/Ubiquity, 2000. New Copy
CD...$5.99 16.98
Some of the best recent Latin Jazz around – all tied up in one slick package by those crafty folks at Cubop! In a world of silly "fake" Latin remake projects, Cubop's delivered some of the best straight Latin around – taking older giants and getting them back in the studio, ... CD
 



Top