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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great collection of Stan Getz' earliest sides for Savoy – 78rpm material from some of his youngest years on record, – with players who include Shorty Rogers on trumpet, Kai Winding on trombone, Hank Jones and Duke Jordan on piano, and Al Cohn and Zoot Sims on tenors. LP, Vinyl record album
Groundbreaking early work from Stan Getz – a 12" LP that compiles earlier recordings made for Prestige at the end of the 40s – all of which are a perfect exercise in tone, timing, and balance! The setting is simple – quartets with either Al Haig or Tony Aless on piano – ... LP, Vinyl record album
A lost chapter in the Stan Getz sound of the 60s – an album that features Stan blowing in front of some beautiful backdrops set by Lalo Schifrin and Claus Ogerman! The sound is super mellow – dreamy, but never sleepy – with Stan blowing in these soulful, magical, exploratory ... LP, Vinyl record album
Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and ... LP, Vinyl record album
An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect ... LP, Vinyl record album
The swing is soft by the sound is never sleepy – thanks to some always-great tenor work from Stan Getz! The album definitely moves in a slightly mellow mode – as implied by the title – but the groove is still plenty darn soulful! Iif anything the album offers almost a bit more ... LP, Vinyl record album
The title may be a bit strangely put – as "Steamer" isn't a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam ... LP, Vinyl record album
A lost bit of work from Jimmy Smith – and one of his most hard-edged sessions from the Verve years! The set was recorded live at the Village Gate in 1963, but was unissued for a number of years – and it features Jimmy really stretching out on the Hammond, almost with an intensity that ... LP, Vinyl record album
One of the great Ray Brown LPs for Verve, featuring the legendary bassist in the company of Jerome Richardson, Herb Ellis, Osie Johnson, and Oscar Peterson (who plays organ on some cuts!). Cuts include "Jim", "Cool Walk", "Upstairs Blues", and "Bric a Brac". LP, Vinyl record album