The only Stax album cut by singer Jimmy Hughes – an artist with a huge impact on southern soul in the 60s, but one who never got the push his career deserved, probably because he kept bouncing from label to label! The style here is kind of an update of the groove that Jimmy first recorded for Vee Jay and Atco – a more refined approach to bluesy soul that's somewhat in the same space that Stax were hitting with Johnny Taylor at the time. Backings are sometimes nicely chunky, almost funky – and tunes are produced by Al Jackson, Al Bell, and Charles Chalmers – all good candidates for a set like this. Titles include "I Like Everything About You", "Let 'Em Down Baby", "Lay It On The Line", "Sweet Things You Do", "I'm Not Ashamed To Beg Or Plead", and "It's All Up To You". (Blue label pressing. Cover has light wear and an ink stamp on the back.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.