CD, LP, Vinyl record album cover art
View larger image       Image note

Horizon (with bonus tracks)

CD (Item 476199) Saturn/Art Yard (UK), 1971 — Condition: New Copy
Out Of Stock

CD


4.80 5

An amazing live date from Sun Ra & The Arkestra – recorded in Cairo in 1971, with a very transcendent sound overall! Ra and the group are clearly inspired to be working in the shadow of the pyramids – and their music sometimes has Eastern overtones, a bit in the manner of Salah Ragab – their associate in Egypt – yet at other times, things get quite outside and noisy too! The keyboards are especially wonderful – as Ray plays "tiger organ" and moog, in addition to conventional piano – adding in the electronics with really spacey tones that really push the limits of the music. And some of the reeds really help shape the sound of the songs too – stark and soulful at key moments, but also forceful in formation at others – played by John Gilmore on tenor, Marshall Allen on flute and alto, Danny Thompson on baritone and flute, Kwame Hadi on trumpet, Danny Davis on flute and alto, Larry Northington on alto, Eloe Omoe on bass clarinet . The group comes together for a tight reading of "Space Is The Place" – and other titles include "3rd Planet", "Horizon", "Starwatchers", and "Shadow World". CD also features tracks not on the original album – "The Satellites Are Spinning", "We'll Wait For You", "Enlightenment", and "Love In Outer Space".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Black Saint (Italy), Mid 80s. New Copy 4CD
A great run of 80s work from Sun Ra – and some of his best-known records from the time! First up is Reflections In Blue – a later classic from Sun Ra – a record that bears one of his most beautiful cover shots ever! The record's got a wonderfully tight feel – a sound that's ... CD
CD, LP, Vinyl record album cover art
MPS/Edel (Germany), 1970. New Copy
One of the key non-Saturn Sun Ra albums of the 70s – and like his records for Blue Thumb and Impulse, a set that really helped awaken the world to his talents! This album may well be one of the most bracing of the bunch – as it features live material recorded by Ra and the Arkestra at ... CD
CD, LP, Vinyl record album cover art
Acrobat (UK), 1972. New Copy
A lost live date from the great British tenorist Tubby Hayes – recorded right near the end of his too-short life, but a stone cooker all the way through! The material was recorded live at the Hopbine – but it's different than both the other 1972 album from the venue, or earlier Hopbine ... CD
CD, LP, Vinyl record album cover art
June 1975 – Livelove Series Vol 1
Promising (Germany), 1975. New Copy
Really great work from Larry Coryell and his Eleventh House combo – a set that's maybe even harder and funkier than we remember from any of the group's studio work! The performance was caught live by German radio in the mid 70s – and is a wonderfully-recorded date that has the guitar ... CD
CD, LP, Vinyl record album cover art
Saturn/Art Yard (UK), Early 70s. New Copy 2CDs
Really wonderful work from Sun Ra – a host of recordings cut at the Ann Arbor Blues & Jazz Fest in the early 70s – always a very welcoming audience for the Arkestra at the time! We're not sure what was in the water, but it always seems like the group really hit their stride at the ... CD
CD, LP, Vinyl record album cover art
Cash & Carry
Aerophonic, 2015. New Copy
Double drums give this set a heck of a lot of energy – work on the kit from Frank Rosaly and Tim Daisey – in a quartet that also features Ingebrigt Haker Flaten on bass and Dave Rempis on alto, tenor, and baritone sax! The drums get things cascading right from the start – and ... CD
CD, LP, Vinyl record album cover art
Alphabet City
Posi tone, 2015. New Copy
Sweet sweet Hammond from the great Brian Charette – a player who's easily becoming one of our favorite organists in contemporary jazz! Brian's got this way of spinning out a long line with effortless ease – a soaring approach to his instrument that takes us back to a space between ... CD
CD, LP, Vinyl record album cover art
Resonance, Late 40s/1950s. New Copy 2 CDs
An incredible look at the very young Wes Montgomery – rare early recordings done before his breakthrough material for the Riverside label in the late 50s – but already showing Wes as one of the freshest talents of his generation on guitar! The bulk of the material features Montgomery ... CD
 



⇑ Top