Easily one of the most successful albums of the British jazz rock years – but still a longtime favorite of ours as well! Mike Oldfield sets a whole new standard here for concept rock – not only by working on a single album-length composition that spans all of sides one and two, but also by playing all instruments himself – in a one man symphony of sound that's pretty darn great! The main theme of the piece will be recognizable from it's stripped-down use in The Exorcist – but we really love Oldfield's expansion on it here in a range of different overdubbed instruments, which are also sometimes processed – and then introduced by Mike in a spoken part that's one of the highlights of the album. (US pressing. Cover has light wear & a bit of pen.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.