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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A compilation of live recordings in Europe – in France in 1965 with Chuck Israels on bass and Larry Bunker on drums; and in Italy in 1969 and France in 1972 with Eddie Gomez on bass and Marty Morell on drums. LP, Vinyl record album
A gem of a late life session from Bill Evans – part of that great run when Helen Keane was getting him in the studio in ways that really let Bill relax and open into some very personal modes on the piano! The group here is excellent – the mighty Eddie Gomez on bass and Eliot Zigmund on ... LP, Vinyl record album
A brilliant return to Montreux from Bill Evans – working here with a trio that includes some killer bass work by Eddie Gomez! The set's an acoustic one – despite its appearance on electric powerhouse CTI – but Evans' work on the piano has an electricity that's all its own, ... LP, Vinyl record album
Bill Evans is working with a really wonderful trio here – one that features Gary Peacock on bass and Paul Motian on drums – both budding young modernists who help Evans reach some new sounds on the set! The record starts out with a groove that's perhaps more inside than you'd expect ... LP, Vinyl record album
Great guitar from the legendary John McLaughlin – working here with a combo of French players, but in a style that still leaves his instrument out front in the lead! Keyboards from Katia LaBeque and Francois Couturier are used in relatively subtle ways – never overwhelming the acoustic ... LP, Vinyl record album
A key record in Deodato's move from funky jazz in the 70s to modern soul in the 80s – and one that showcases the best of his talents in both genres! The approach here is more tightly arranged and produced than that of his earlier CTI sides – but in a mode that's still plenty nice to ... LP, Vinyl record album
An essential set of tracks – as it includes most of the best master takes from Parker's legendary Dial Recordings! The material is floating around a lot on CD these days, but this great set is just about the best way you can hook yourself up with the tracks on vinyl – as it includes ... LP, Vinyl record album
Sweet electric funk from from David Newman – one of his best post-Atlantic albums, and a tightly-crafted set of studio grooves that has a warm California feel! Neman's horn is nicely electrified on many of the cuts – allowing it to slide in nicely next to the group's sharply arranged ... LP, Vinyl record album
With Omar Hakim on drums, Marcus Miller on bass, Michael Sembello on guitar, Don Freeman on keyboards, Paulinho da Costa and Malando Gassama on percussion, Buzz Feiten on rhythm guitar, George Duke on clavinet, James Skelton on Hammond B-3, and Bob Mintzer on bass clarinet. LP, Vinyl record album
Beautiful later work from guitarist John McLaughlin – a record that moves heavily into a Brazilian-inspired vibe – not necessarily in the actual style of the music, but more in the sunny spirit that embraces the whole session! The album was recorded in Paris with airy backing that ... LP, Vinyl record album
A brilliant set of post-post-post Konitz jazz – a late 70s Warne Marsh session, produced by Donald Fagan and Walter Becker of Steely Dan! Despite the smooth jazz feeling of Becker & Fagan's own work, the pair are completely respectful to Marsh and his twin-tenor frontman Pete Christlieb ... LP, Vinyl record album