The album's a bit less "historical" than you might guess from the title – at least at the time it was issued in the mid 50s! The material is from Chicago sessions recorded in 1956 – unusual non-Columbia material for the period, featuring the Ellington group working in a slightly older-styled mode. Much of the material is from the earlier songbook of the orchestra – but it's done here with some slight modern touches that show the 50s impulses of the group firmly in place. Players include Cat Anderson and Clark Terry on trumpet, Johnny Hodges on alto, Paul Gonsalves on tenor, and Harry Carney on baritone sax – and titles include "Midriff", "Ko Ko", "Lonesome Lullaby", "Upper Manhattan Medical Group", "Jack The Bear", "Stompy Jones", and "Creole Love Call". (Red label pressing, with deep groove. Cover has light wear and clear tape along the spine.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.