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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Really unusual, obscure music from Duke Ellington – and pretty darn great as well! The set features never-heard tracks that Ellington recorded in Germany with producer Conny Plank – that studio genius whose work is best known from a landmark series of prog recordings in the 70s – ... LP, Vinyl record album
Very nice work from one of Ellington's revival periods – when he was signed to Columbia in the late 50s, and recording some of the best work of his career. This set moves past the modernism of some of Duke's other sessions at the time, and offers a more straight-ahead set in true "jazz ... LP, Vinyl record album
This one's always been a bit of an enigma – as the record's presented here with the auspicious "royal" title, yet contains no other liner notes to let you know where Duke's playing (if it's in fact a live set at all), when the recording happened, and who's in the band! The set's a ... LP, Vinyl record album
One of Duke's few Capitol recordings – featuring sides recorded in Chicago, New York, and Hollywood between the years 1953 and 1955. Tunes are short, but hitting that more sophisticated Ellington 50s mode – and players include Clark Terry, Jimmy Woode, Cat Anderson, Harry Carney, and ... LP, Vinyl record album
Quite an unusual record from Art Blakey – a rare big band session, recorded with a lineup that's quite different than the usual Jazz Messengers! Turns out, Blakey's quite good in this setting – and has the same firey energy to direct a larger ensemble that he has when working with a ... LP, Vinyl record album
One of the best (and few) sessions ever cut as a leader by bassist Milt Hinton – a crucially important player on his instrument, and an important force behind countless sessions of his generation! The album's a nicely laidback one – the kind that lets you get to hear Milt's bass work ... LP, Vinyl record album
An album that's noteworthy not just as one of the few sessions as a leader from trumpeter Stu Williams – but also as a sublime showcase for the alto talents of a young Charlie Mariano, who really sparkles on the record! Charlie's alto sax seems to give Williamson's trumpet an edge that we ... LP, Vinyl record album
One of the key records from the Cadet/Concept scene in late 60s Chicago – a tremendous collaboration between pianist Ramsey Lewis and arranger Charles Stepney – and the kind of record that took soul and jazz to a whole new level! Ramsey on his own is great enough at this point – ... LP, Vinyl record album