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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A key album in the sound of piano jazz in the 50s – featuring Billy Taylor, and his trio that included Earl May on bass and Percie Brice on drums. The album's nothing fancy, but has a nicely soulful undercurrent – and titles include "Tune For Tex", "Moonlight In ... LP, Vinyl record album
Early quartet work from pianist Billy Taylor – in a group with John Collins on guitar, Al McKibbon on bass, and Shadow Wilson on drums! LP, Vinyl record album
One of Billy's rarest sessions from the 60s – a trio set for Riverside, recorded in early 1960, and a great little session considering how obscure it is! The group's a trio, with Henry Grimes on bass and Ray Mosca on drums – supporting Billy's fluidly soulful work on the keys, over a ... LP, Vinyl record album
A touch of Billy Taylor, but that's more than enough – as his trio here can pack plenty into just a very short space! The set's an early classic that features Billy with his legendary trio with bassist Earl May and drummer Percy Brice – a group who really transformed the sound of the ... LP, Vinyl record album
One of the rarest Barry Harris albums – and an obscure solo session from 1961! Solo sessions were not that common at the time in the jazz industry, and it was even less common for a young player like Harris to get the chance to record the album. The record shows him in a lyrical complicated ... LP, Vinyl record album
Sharp live set, recorded in Monk's best setting, The Five Spot, with Johnny Griffin, Ahmed Abdul-Malik, and Roy Haynes. The material is classic comeback Monk – with those off-kilter piano lines in front, and Griffin's horn carving up angular spots around the rhythms. The group runs through ... LP, Vinyl record album
One of Johnny Griffin's hard blowing LPs as a leader for Jazzland – recorded with a crack lineup that includes Blue Mitchell on trumpet, Julian Priester on trombone, Wynton Kelly on piano, Sam Jones on bass, and Albert Heath on drums! This is the kind of work that the term "hard ... LP, Vinyl record album
Great postwar New Orleans jazz – with clarinet legend George Lewis in the lead – working with Baby Dodds on snare, Kid Howard on trumpet, Jim Robinson on trombone, and Harrison Barnes on baritone horn! LP, Vinyl record album
(Mono blue label Bill Grauer Productions pressing with microphone logo and deep groove. Cover has light smudges, some spotty blemishes in front, and some splitting in the seams.)LP, Vinyl record album
Very different work than Freddie Redd's firey albums for Blue Note – a set of trio tunes that are distinctly modern, but done with a much more laidback approach. Freddie's style here has a bit of the late nite barroom feel – with some great blue notes and sadness stepping out from the ... LP, Vinyl record album
A great 50s session from trad revival clarinet genius George Lewis – recorded in a cathedral, which makes for wonderful sound – and featuring a group with Avery "Kid" Howard on trumpet, Jim Robinson on trombone, Alton Purnell on piano, Lawrence Marrero on banjo, Alcide "Sl ... LP, Vinyl record album