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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Peggy Lee's at Basin Street, but the set's an upbeat, swinging date that's right up there with her studio work for Capitol in the 60s! The album's billed as an "after hours" performance – and it's definitely got the relaxed feel to live up to that promise – a feel that's more ... LP, Vinyl record album
Music direction by Lou Levy – which is quite a surprise – with arrangements by Dave Grusin, Lalo Schifrin, and Billy May – on some unusual tracks that include "My Sin", "The Boy From Ipanema", "Talk To Me Baby", "The Right To Love", "The ... LP, Vinyl record album
A classic collaboration between Peggy Lee and Nelson Riddle – and a record that really set the tone for Lee's famous Capitol sides of the 60s! The groove here is very upbeat – as you might guess from the title – with a bouncing, almost syncopated approach that's definitely Riddle' ... LP, Vinyl record album
Peggy's sweet as sugar, but working here with a heck of a lot of spice – thanks to arranger Benny Carter, who brings in a wonderfully jazzy feel to the set! The album's one of Peggy's best from her comeback years at Capitol – and a prime example of the syncopated, slinking mode of ... LP, Vinyl record album
A key album in the transformation of Peggy Lee's sound at the end of the 60s – one that has her moving from just being a jazz singer, into a more complicated role of interpreting contemporary singer/songwriter material – often with a mature and experienced tone, one that makes her ... LP, Vinyl record album
Very groovy work from Peggy – a set of tunes tone with a nice little Latin flair! The tunes themselves are all Broadway hits of the late 50s and early 60s, but they're redone wonderfully here – so that they often bear little resemblance to the originals. Jack Marshall handled the ... LP, Vinyl record album
Frank's last solid album for Capitol, and an easily swinging set that points the way towards the confident maturity of the Reprise years. The title tune, "Nice and Easy", is a classic swinger with great backing by Nelson Riddle – and the rest of the album's selection of tunes is a ... LP, Vinyl record album
One of Nancy Wilson's hippest albums from the 70s – a great record of smooth mellow tracks produced by Eugene McDaniels, handled with some nice jazzy flourishes, and a warm soulful sound that brings out the best in Nancy's vocals! If you've dug her vocals on the Life, Love, & Harmony ... LP, Vinyl record album