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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
No Reservations is quite an unusual little set for the time – as it's a bit looser and less structured than most other vocal dates – very much in the spirit of Faye's famous performances in clubs, with a gritty, personal approach to the music that's really great. The orchestrations are ... LP, Vinyl record album
An insane record – simply insane! Mel Torme wrote the California Suite as a tribute to his home state during the glorious postwar years of growth and boom – and it contains some of the weirdest songs he ever sung! At the base, the work is driven by the same west coast jazz ... LP, Vinyl record album
Beautifully icy vocals from the amazing Chris Connor – the kind of record that set a new standard for vocal jazz back in the 50s! The session's a small group one – with Chris singing intimately alongside backing from Herbie Mann on flute and tenor, Kai Winding and JJ Johnson on ... LP, Vinyl record album
A great little meeting of two of the better talents on Verve Records in the early 60s – one that pairs the warm vocals of Anita O'Day with the cool vibes of Cal Tjader – in a sweet little session that's actually one of O'Day's best from the time! The feel here is lively, and slightly ... LP, Vinyl record album
Think what you might about Mr. B, but this is a sweet soulful album of dreamy pop songs, produced and arranged by Isaac Hayes, with a similar sound to some of the work from the same time by Grady Tate. Billy's voice is as deep and round as always, and the newer backing brings a nice quality to his ... LP, Vinyl record album
Loads of groovy Pat Williams arrangements – on titles that include "Come Back To Me", "The Curtain Falls", "I Believe In You", "The Honeymoon Is Over", "Sunrise Sunset", "Walking Happy", "Old Fashioned Wedding", and "To ... LP, Vinyl record album
Classic jazzy blues from one of the best in the business – and an album that doesn't show up as often as it used to. Titles include "Good Jumpin", "Fickle Woman", "No Rollin Blues", "Big Fine Girl", and "Failing By Degrees". LP, Vinyl record album
Blues, but with a nice jazzy finish – thanks to arrangements by Roger Kellaway, and small group playing by Pepper Adams, Richard Davis, Mel Lewis, and Kellaway. Jimmy's voice is nice and easy, and he more than keeps up with the hip group on the album's 12 short tracks. Titles include "L ... LP, Vinyl record album
A beautiful classic from mid 60s Verve – and the kind of a session that we wouldn't have expected to come off so well! In a style they were using with older artists at the time, Verve brought Ella and Duke into the studio together – with Duke's band and compositions providing the ... LP, Vinyl record album