A stone Philly classic – and a record that gave the world one of the most positive, upbeat tunes ever! The team of McFadden & Whitehead were not only one of the best songwriting duos in the Philly International stable – they were also a great soul combo who really knew how to work the dancefloor – stepping out with surprising tightness on this debut set, and really earning some great fame as they moved from the background to the limelight! This first album by the team is certainly their strongest legacy – as it contains their massive cut "Ain't No Stoppin Us Now", a righteous dancefloor anthem that became as much a political rallying cry as it did a call to boogie. The cut's a monster, and it's included here with similar numbers like "Just Wanna Love You Baby", "Got to Change", "I've Been Pushed Aside", and "Mr. Music". (Cover has a promo stamp.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.