The only RCA album from Enchantment – and a great little set that has the group stretching out from their earlier records on United Artists! The groove here is still awash in the great harmonies we've always loved from the group – and production is by Don Davis, who always has a great ear for preserving the core soul of any act like this – while also helping them focus their sound as well! The mix is quite similar to excellent work Don did with the Dramatics at the end of the 70s – and Enchantment really benefit with a similar ear for a bouncy groove, and that great Davis way of knowing just the right point when to slow things down on an album, too. Titles include "Settin It Out", "I Believe In You", "Moment Of Weakness", "You & Me", "I Can't Be The One", "Soft Lights Sweet Music", and "I Can't Fake It". (Includes the printed inner sleeve.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.