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This One's For Basie

LP (Item 471131) Verve, 1956 — Condition: Near Mint-

A lively little set done strongly in a Basie mode – as you might guess from the title! Buddy's on drums, but the real maestro here is Marty Paich – who handled the arrangements, and most likely brought together the batch of west coast jazzers who inhabit the group – including Pete Condoli on trumpet, Frank Rosolino on trombone, Bob Enevoldsen on valve trombone, Bob Cooper on tenor, Buddy Collette on flute and baritone, and Jimmy Rowles on piano. The set's less Buddy-like than it is Marty-ish – and the grooves here have that very fluid Paich approach throughout – but recast slightly to reflect the strong Basie/Hefti groove of the 50s. Titles include "Shorty George", "Ain't It The Truth", "9:20 Special", "Jump For Me", "Blues For Basie", and "Blue & Sentimental".  © 1996-2020, Dusty Groove, Inc.
(Verve Records Inc pressing with trumpeter logo and deep groove. Cover has light wear, and a tiny hint of splitting on the top seam – but this is a great copy overall.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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