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Dream With Dean

LP (Item 471086) Reprise, 1964 — Condition: Used
Out Of Stock

LP, Vinyl record album


4.70 38

Easy to dream with Dean Martin with the record's this mellow – a great late night session that really shows Dino sparkling on a set of laidback ballads and love tunes! The style's a great reminder that Martin could be as good of a ballad singer as he was an upbeat jokester and hipster – a quality that didn't always some through as strongly in his Rat Pack years. Backing is by a cool jazz combo – with Barney Kessel on guitar, Ken Lane on piano, Red Mitchell on bass, and Irv Cottler on drums – and titles include "I'll Buy That Dream", "I'm Confessin", "Blue Moon", "I Don't Know Why", "Hands Across The Table", "Smile", and the original recording of "Everybody Loves Somebody". (Tri-color steamboat pressing.)  © 1996-2016, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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