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Classics Of Modern Jazz Vol 2 – Last Recordings By The Late Great Bassist

LP (Item 47015) Jazzland, 1960 — Condition: Near Mint-

Excellent work from Oscar Pettiford – his last sessions, in case you couldn't tell by the title, recorded in Copenhagen in 1959 and 1960, with players that include Allan Botchinsky on trumpet, Jan Johansson on piano, Erik Nordstrom on tenor, and Luis Hjulmand on vibes. Despite the introduction of European ringers to the set, and despite the posthumous collection of sessions, the album's actually one of Pettiford's strongest, and certainly one of the best to show his ever-growing commitment as a modernist during the 50s. The album includes loads of original tunes – including "Blue Brothers", "Two Little Pearls", "Laverne Walk", "Why Not? That's What!", and "My Little Cello".  © 1996-2020, Dusty Groove, Inc.
(Mono orange label Bill Grauer Productions Inc pressing with deep groove. Cover has some wear on the bottom corners.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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