Quite an obscure date from trumpeter Cat Anderson – done for the tiny Wynne label in 1959, and in a great small group approximation of the Duke Ellington spirit! Anderson's trumpet is set nicely in a very hip little group – with players who include Ray Nance on violin, Quentin Jackson on trombone, Budd Johnson on tenor sax, Rudy Powell on alto, Leroy Lovett on piano, Jimmy Woode on bass, and Sam Woodyard on drums. The tracks are mostly Ellington standards, but are often done with a looser sort of feel than familiar takes – more small combo and open, in a way that really makes us appreciate Cat's skills for putting the set together. Titles include "Like Dig", "Chelsea Bridge", "The Mexican Bandit", "Lovelinnessence", "Between Some Place Goin No Place", and "A Flower Is A Lovesome Thing". (Cover has a split top seam.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.