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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Mark Murphy's standout sessions for Muse – a bit more arranged than some of the others, with backings directed by Dave Matthews that bring a nice sort of punch to the session! The tracks are mostly jazz standards, done in vocalese mode – with instrumentation by a small group ... LP, Vinyl record album
One of Mark Murphy's first albums – quite different than his later work, but swinging and jazzy as he could always be! Ralph Burns arranged the set, and even at this early point, you can hear what a talent Murphy is – singing with a confident swing that wasn't often the case for male ... LP, Vinyl record album
One of his best for Muse, with a beautiful set of jazzy vocal grooves that includes his reading of "Stolen Moments" (later made famous by United Future Organization), plus "D.C. Farewell" and an excellent version of "Waters of March". Warm and breezy, with that ... LP, Vinyl record album
One of the best early albums by vocalist Mark Murphy – cut to arrangements by Bill Holman on side one, a set of big band numbers, and to smaller piano trio backing on side two, which features mellower stuff. Murphy's really developing his voice at this point, and is starting to get some of ... LP, Vinyl record album
One of Mark Murphy's earliest records for Muse, and an essential release in his developing style in the 70's. Sweet warm and swinging jazz vocals, with accompaniment by a tight group that includes the Brecker Brothers, Ron Carter, and Pat Rebillot. The set features two Murphy originals, "Saus ... LP, Vinyl record album
One of Nancy Wilson's hippest albums from the 70s – a great record of smooth mellow tracks produced by Eugene McDaniels, handled with some nice jazzy flourishes, and a warm soulful sound that brings out the best in Nancy's vocals! If you've dug her vocals on the Life, Love, & Harmony ... LP, Vinyl record album
Music direction by Lou Levy – which is quite a surprise – with arrangements by Dave Grusin, Lalo Schifrin, and Billy May – on some unusual tracks that include "My Sin", "The Boy From Ipanema", "Talk To Me Baby", "The Right To Love", "The ... LP, Vinyl record album
Ann's a more lustily voiced singer than the sort that usually worked with Stan Kenton during the 50s – with a deep range in her delivery of a song, and a mode of singing that's a bit more unbridled than you'd expect for someone working under Stan. This set's a lot more Ann's album than it is ... LP, Vinyl record album
A classic set by Nancy, set to arrangements by Billy May, and mostly featuring an assortment of standards, all done by Wilson with that sophistisoul touch that made her work so great! The real standout here is the impeccable "Guess Who I Saw Today", one of those tunes that Nancy takes ... LP, Vinyl record album