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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Mark Murphy's standout sessions for Muse – a bit more arranged than some of the others, with backings directed by Dave Matthews that bring a nice sort of punch to the session! The tracks are mostly jazz standards, done in vocalese mode – with instrumentation by a small group ... LP, Vinyl record album
One of Mark Murphy's first albums – quite different than his later work, but swinging and jazzy as he could always be! Ralph Burns arranged the set, and even at this early point, you can hear what a talent Murphy is – singing with a confident swing that wasn't often the case for male ... LP, Vinyl record album
One of his best for Muse, with a beautiful set of jazzy vocal grooves that includes his reading of "Stolen Moments" (later made famous by United Future Organization), plus "D.C. Farewell" and an excellent version of "Waters of March". Warm and breezy, with that ... LP, Vinyl record album
One of the best early albums by vocalist Mark Murphy – cut to arrangements by Bill Holman on side one, a set of big band numbers, and to smaller piano trio backing on side two, which features mellower stuff. Murphy's really developing his voice at this point, and is starting to get some of ... LP, Vinyl record album
One of Mark Murphy's earliest records for Muse, and an essential release in his developing style in the 70's. Sweet warm and swinging jazz vocals, with accompaniment by a tight group that includes the Brecker Brothers, Ron Carter, and Pat Rebillot. The set features two Murphy originals, "Saus ... LP, Vinyl record album
Matt Monro singing with arranger Sid Feller – a surprisingly great talent for the record, and one who does a great job of hitting that subtly dramatic mode that we love in Matt's vocals. Feller nicely restrains some of his usual tricks, and takes Monro to the same sort of sophisticated, ... LP, Vinyl record album
Magical work by one of the greatest harmony groups ever! The record is a truly magical album that has the group's voices supported on a brace of electric guitars, which makes for a really cool sound! The Freshmen harmonies are as perfect as ever – gliding along the electric strings on tunes ... LP, Vinyl record album
Wonderful work from Dorothy Shay – a very unusual singer for her time, and in a backwards way, almost a force in mainstreaming country music in later years! As the title implies, Dorothy's a bit of a "Park Avenue Hillbilly" – in that she sings country themes, but in a style ... LP, Vinyl record album
A classic collaboration between Peggy Lee and Nelson Riddle – and a record that really set the tone for Lee's famous Capitol sides of the 60s! The groove here is very upbeat – as you might guess from the title – with a bouncing, almost syncopated approach that's definitely Riddle' ... LP, Vinyl record album
A hip collection of tracks from Peggy Lee – recorded for Capitol during the late 60s, but issued in this special package that was a limited edition one put out by Sylvania in the early 70s. The standout cuts are Peggy's awesome versions of "Spinning Wheel" and "Sitting On The ... LP, Vinyl record album