Clark Terry & Bob Brookmeyer Quintet : Clark Terry - Bobby Brookmeyer Quintet (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Clark Terry - Bobby Brookmeyer Quintet

LP (Item 466810) Mainstream, 1964 — Condition: Near Mint-
Gatefold
Genius work from one of the most solid groups in 60s jazz – the quintet co-led by trumpeter Clark Terry and trombonist Bob Brookmeyer – a legendary ensemble that drew on the best talents of both players, but grew into something greater! Brookmeyer's playing valve trombone throughout on the tunes – played in a fluid, trumpety way that matches perfectly with Terry's own phrasing – and which almost creates a sense of counterpoint on the head arrangements, yet which never falls into styles that are too academic or modern. There's a fluid easy grace here that's really surprising – with none of Terry's gutbuckety tricks or Brookmeyer's too experimental moments – and overall, the group have a solid, soulful quality that almost reminds us of the Art Farmer-Benny Golson Jazztet, or of some of Farmer's other key recordings of the 60s. Rhythm is by the trio of Roger Kellaway on piano, Bill Crow on bass, and Dave Bailey on drums – and the album features 10 numbers in all, including "Tete A Tete", "Pretty Girl", "Blue China", "Blindman, Blindman", "Sometime Ago", "Hymn", "Step right Up", "Weep" and "Straight No Chaser".  © 1996-2024, Dusty Groove, Inc.
(Early 70s pressing. Cover has some ring and edge wear, bumped corners, and a promo sticker in back.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Frank Wess

Award Winner
Mainstream, Mid 50s. Very Good
One of the best entries in the Commodore Series on Mainstream – a collection of obscure mid 50s recordings by flute and tenor player Frank Wess, done in small group settings with a variety of players that include some of his bandmates in the Basie group! There's a more tightly arranged feel ... LP, Vinyl record album
Mainstream/Teichiku (Japan), 1972. Very Good
One of the most distinct early dates from reedman Charles McPherson – a unique "with strings" session recorded as a tribute to Billie Holiday – and with a style that shows off sides of McPherson's playing that wouldn't show up on other records for years to come! The album's ... LP, Vinyl record album

Gene Krupa, Charlie Ventura, Shorty Rogers, & Othe

Commodore Jazz Classics – Town Hall Concert
Commodore/Mainstream, 1945. Near Mint-
A great document of an early all-star jazz concert – recorded at Town Hall by a young Bob Shad – who's clearly working here in the same live territory as producer Norman Granz! There's a great sense of variety going on here – and the record's maybe worth it alone for an excellent ... LP, Vinyl record album

Bunk Johnson

Legend
Mainstream, 1966. Very Good+
(Mono pressing. Cover has light wear and aging in back.) LP, Vinyl record album

Clark Terry

Mumbles
Mainstream, 1966. Very Good+
A surprisingly great little record from Clark Terry – filled with warmth, humor, and some really great grooves! The core of the album is the track "Mumbles", one that's based around Terry kind of slurring a scat vocal to a jazzy 60s groove. The track was a minor hit at the time, ... LP, Vinyl record album

Zoot Sims, Jim Raney, & Jim Hall

Otra Vez (aka Two Jims & Zoot)
Mainstream, 1964. Very Good+ Gatefold
Nice mid 60's session that stands as one of Raney's strongest from the decade, and a tight quintet performance by a group that includes Jim Hall on second guitar, Zoot Sims on tenor, Steve Swallow on bass, and Osie Johnson on drums. The tracks are fairly standard, but there's a lot of nice ... LP, Vinyl record album
Mainstream, 1940s. Near Mint-
With Muggsy Spanier, Max Kaminsky, Joe Bushkin, Pee Wee Russell, Eddie Condon, Bob Haggart, and more! LP, Vinyl record album

Deodato

Deodato 2
CTI, 1973. Very Good+ Gatefold
Funky keyboards galore – and one of the greatest records ever from this legendary Brazilian jazz talent! The album follows nicely off Deodato's Prelude classic for CTI – and like that one, this set's built on long-flowing tunes that rise and fall with a wonderful sense of rhythm – ... LP, Vinyl record album

Duke Ellington

Piano In The Background
Columbia, 1961. Very Good+
Don't let the title put you off, because this certainly isn't a session of background music – and the name simply refers to the fact that the arrangements on the set really showcase the strong horn work of the Ellington orchestra! Duke's still on piano for the session, but the real strength ... LP, Vinyl record album
Columbia, 1956. Very Good+
Buck Clayton's trumpet joins the Ellington band – on titles that include "Take The A Train", "In A Mellotone", "Newport Jump", "I Got It Bad", and "Skin Deep". LP, Vinyl record album

Illinois Jacquet

Genius At Work
Black Lion, 1971. Very Good+
A small combo live recording at Ronnie Scotts – with Milt Buckner on Hammond and Tony Crombie on drums. LP, Vinyl record album
Session, Early 50s. Very Good+
Live work from Birdland – one group with JJ Johnson on trombone and Brew Moore on tenor – another with Sonny Rollins on tenor and Kenny Drew on piano! LP, Vinyl record album
 



⇑ Top