This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the many nice sides that Hines made during the 60s, when he was being rediscovered by the labels, and touted as a traditionalist who was still working to expand his style. The group's here are nice and small, and Hines trio is augmented by either Budd Johnson or Ray Nance on most tracks. ... LP, Vinyl record album
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the ... LP, Vinyl record album
One of the great tenor and organ dates cut for RCA in the 60s by the team of Johnny Hodges and Wild Bill Davis! Guitar is by Mundell Lowe and Dickie Thompson – and titles include "Con Soul & Sax", "On Green Dolphin Street", "Johnny Come Lately", "No ... LP, Vinyl record album
The quirky Sauter-Finegan ensemble lay down a weird set of tracks with their usual high level of performance and keen sense of wit! Tracks include "Madame X", "Sleepy Village", "Pictures From Sauter-Finegan Land", and "The Land Between". Great stuff from a ... LP, Vinyl record album
A companion to the "Stricly Powell" set, one of Bud's more obscure sides from the 50s – a one-off date for RCA that features a trio that included Art Taylor on drums and George Duvivier on bass. We've always loved the Powell trio sides, and this rhythm section has a dynamic & ... LP, Vinyl record album
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own ... LP, Vinyl record album
Funky mid 70s Herbie Hancock – one his funkiest albums of the era! Herbie plays a host of cool keyboards – like Fender Rhodes, Arp, and clavinet – and he's joined by a group that includes just about all of the Headhunters – including Paul Jackson on bass and Mike Clarke on ... LP, Vinyl record album
A great little record made by this obscure modernist group! The quartet seems to begin with an MJQ inspired kind of groove – but they're much more soulful than that, and the tracks have a nice jagged sound that well earns them their "contemporary" tag. The lineup is ... LP, Vinyl record album
A wonderful bit of cinematic jazz from the 50s – played by the Chico Hamilton group as part of the soundtrack! The combo was a key part of the LA scene at the time, but are oddly featured as a regular club act in the movie's New York setting – but we'll gladly forgive that geographic ... LP, Vinyl record album