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Time & The Place (2LP pressing)
LP (Item 462255) Columbia, 1967 — Condition: Very Good+ 2LP Gatefold
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A tremendous document of a really wonderful group – a 60s ensemble that pairs the lyrical trumpet of Art Farmer with the sharp tenor of Jimmy Heath! The pair are completely sublime together – balancing out sound and soul with this amazing quality that's quite different both from Farmer's larger body of work, and from most sounds that Jimmy would do on his own (although at another level, the record does point the way towards the seminal Heath dates as a leader in the early 70s.) The rhythm section is a key part of the strength of the album – with Cedar Walton as an amazing bridge between the spirit of the two horn players – set up perfectly with Walter Booker on bass and Mickey Roker on drums. Art's got this edge that really stands out, but he also retains his majestic sense of lyrical beauty too. One of our favorites – with titles that include "One For Juan", "Nino's Scene", "Short Cake", and "The Time & The Place". Plus this expanded 80s issue of the set adds a second LP to the original, for twice as much material, with 12 tracks in all, including "The Shadow Of Your Smile", "Make Someone Happy", "On The Trail", "Blue Bossa", "Is That So", 'Dailey Bread", "Satin Doll" and "Misty". © 1996-2024, Dusty Groove, Inc.
(A nice copy. Barcode has a sticker.)
(A nice copy. Barcode has a sticker.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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