This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Gene Ammons in a mighty nice setting – working here in an open-ended jam session style that brings all his best live energy into play at the studio of Rudy Van Gelder! The set's got a crackle that really goes beyond the earlier, shorter bop recordings from Ammons – and a bit more ... LP, Vinyl record album
Not to be confused with the Jammin' With Gene LP, this set was later reissued as The Twister. Classic blowing session material from Jug – with 4 long tracks that are all a superb example of how great Prestige could be when they wanted to! The group is filled with great players – ... LP, Vinyl record album
Nice and cool, but not in a west coast way – and instead a set that's got Gene Ammons working some wonderfully soulful magic on a set of gentle ballads! The set's got a brilliant late nite sort of feel – one of those tenor albums that seems to sound even better in the space past ... LP, Vinyl record album
Way more than just an album with Gene Ammons as a leader – and instead, a set that truly earns the "all stars" listed on the cover – thanks to a great array of supporting players, and a very loose, open-ended jam session style that lets everyone get in plenty of solo space! ... LP, Vinyl record album
One of Gene Ammons' classics from the 60s, and a straight ahead session of soul jazz tenor and piano, with drums by Art Taylor and a bit of extra conga from Ray Barretto. Nice rolling 60's soul jazz groove, and some nice piano comping behind Jug by Patti Brown and Walter Bishop Jr. Tracks include ... LP, Vinyl record album
Nothing too quiet here – as the album's one of Max Roach's key classics from the Mercury years – recorded with one of the hippest groups he ever led! Players here are all wonderful – Julian Priester on trombone, Stanley Turrentine on tenor, Tommy Turrentine on trumpet, Bob ... LP, Vinyl record album
One of Jimmy's last albums for a major label in the 70s – a real back-to-basics set that was recorded live at the Jimmy Smith Supper Club in LA – the "home of fried cornbread and live jazz", and a venue that we certainly wish we could have visited! Jimmy's working here with ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... LP, Vinyl record album
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's ... LP, Vinyl record album
One of Roland Kirk's classic early recordings for Mercury, and the kind of stuff that has him mixing his wild reed playing with more traditional hardbop structures. Most of the tracks are quartet sides, with piano, bass, and drums backing Kirk up – but the real focus is on Kirks solos, which ... LP, Vinyl record album
Bennie Maupin's first LP for Mercury, and a great bit of spiritual funky jazz that recalls a lot of the sound of his work with The Headhunters. The first track, "It Remains to Be Seen", is an excellent groover, with some very dark keyboard work by Patrice Rushen, and the rest of the ... LP, Vinyl record album