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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A killer album of soul jazz tracks that pairs together two of Prestige's best players! The firey Bobby Timmons is at the height of his career here – cutting long drawn-out piano grooves that are among some of the best of his young years. Lytle's always a killer – and his funky vibes ... LP, Vinyl record album
We have to admit we've always been somewhat dismissive of Merl Saunders 70s records, perhaps because of the hippy association we have with these bay area recordings. But ultimately there's at least a little bit of funk peeking through on any of his Fantasy recordings, which gets a nice helping ... LP, Vinyl record album
Most likely our favorite album by John McLaughlin – and one that features him in a wonderfully spare setting – alongside John Surman on saxes, Brian Odges on bass, and Tony Oxley on drums. The playing has a free and loose quality that McLaughlin would later lose on some his more fusion- ... LP, Vinyl record album