This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
With Robert Plater, Edward Pazant, Leon Zachery, Lonnie Shaw, and Andrew McGhee on reeds, Bill Hogan on drums, Oscar Dennard on piano, Bill Mackel on guitar, and George Joyner and John Mixon on bass. LP, Vinyl record album
Later work from legendary jazz vibist Lionel Hampton – and a set that has him returning to the energy of the large group ensemble that first brought him fame in the 40s! Yet the style isn't 40s at all – and instead shows an evolved take on big band modes – similar to the great ... LP, Vinyl record album
One of the few albums to really get at the genius of the Lionel Hampton group at the height of their powers – their crowd-pleasing antics that were always a big draw for live audiences! This set catches Hamp and a great group at the Pasadena Civic Auditorium – playing on long tracks ... LP, Vinyl record album
Titles include "Jamming The Session", "Stella By Starlight", "Jamming Blues Homeward", "I Only Have Eyes For You", "Big Fine Girl", "Jumpin' The Boat", "Baby Don't Love Me No More", "Roll Em Pete", and "Blue In The ... LP, Vinyl record album
Forget everything you know about Lionel Hampton – because this is a must-have funky 70s session! The set was cut with an electric big band, and it features long tracks that groove like prime mid 70s MPS work – vibes out front on the solos, and the band grooving and vamping in a style ... LP, Vinyl record album
A hipper group than you'd expect – especially since they're all college kids! John Graas found these guys playing at Westlake College, and he rightly thought they had a sound that was well worth recording for Decca – not surprising, since these guys have a similar chamber modern groove ... LP, Vinyl record album
The first and loosest of the Jazz Studio series from the 50s – an quite possibly the most Verve-like too. This set's got a very open-ended jam session feel – with a group that include Paul Quinichette and Frank Foster on tenor, Hank Jones on piano, Benny Green on trombone, Joe Newman ... LP, Vinyl record album
Two generations of Ornette Coleman – making incredible music here together! The album's a freewheeling late 60s outing from the senior Ornette – who plays alto, violin, and trumpet here – working with his young son Ornette D Coleman on drums, just 12 years old at the time – ... LP, Vinyl record album
A landmark album – not only for Freddie Redd, but for Jackie McLean, who's the real star of the session! In the early 60s, both Freddie and Jackie played together in a hip New York play called The Connection – working as a part of a live jazz band who were hanging out in an apartment, ... LP, Vinyl record album