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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The third album by The Natural Four – the heavenly soul group that was one of Chicago's best harmony acts of the 70s! Like a lot of Curtom material from this period, this album experiments a little with an uptempo sound – and it mixes that with some mellower tracks that are in the vein ... LP, Vinyl record album
Very obscure bit of late Curtom funk, recorded during the time the label was briefly allied with RSO, and when Fred Wesley was doing a bit of work for them. Wesley did a lot of the arrangements on the album, and got an uptempo groove that ranges from Horny Horns-type material to electro 80s ... LP, Vinyl record album
Sly's still doing pretty nice for himself in 1974 – with a sound that's perhaps a bit warmer than on the early records, but still nice and soulful – and peppered with a good dose of funk! The groove is really great on the set – bubbling with a more "deep down" feel than ... LP, Vinyl record album
Although Sylvia Robinson made her big money during the 70s recording soul for the All-Platinum group of labels – and then went over big to hip hop with her Sugar Hill label – she still managed to cut a few soul sides during the 80s, and the work of Harry Ray is some of her strongest ... LP, Vinyl record album
Plenty of Manpower from Miquel Brown– the Canadian club singer who scored big with the classic "So Many Man So Little Time" club cut in the early 80s – then followed it up with this full album of late disco grooves! Brown's vocal approach is in the higher side of the spectrum ... LP, Vinyl record album
A bit less clubby than other Lime work, but still with a nice sense of groove throughout! There's almost a bit of crossover energy going on in the set – trying for the sort of hit that might have grabbed them fame back in the early 80s, but which sounds a bit out of place by the time of this ... LP, Vinyl record album
A big breakthrough for Philip Bailey – and a record that was kind of a second-level explosion for the Earth Wind & Fire sound in the 80s! There's a definite crossover feel to the record – a style that takes Bailey's soulful vocals, and mixes them with lots of catchy hooks – ... LP, Vinyl record album
The story on these sides is that they were demos the Alan Douglas got a hold of, from very early on in Havens career, and then had overdubs laid down at a later date, in an effort to get them out and capitalize on Haven's post-Woodstock success. We actually like the slightly raw feel which ... LP, Vinyl record album
Flashlight is a sweet little disco combo – one who are working here with prime Philly maestros Norman Harris, Ron Kersey, Arnold Coley, and Bobby Eli – all of whom give the group's tracks a warmly soulful quality, and a sound that's more in the mode of early/mid 70s vocal groups like ... LP, Vinyl record album