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Modern Sound Of Betty Carter
LP (Item 4563) ABC, Late 50s — Condition: Very Good
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Betty Carter — Modern Sound Of Betty Carter (180 gram pressing) ... LP 27.99
Betty Carter — Modern Sound Of Betty Carter (Japanese paper sleeve edition) ... CD 12.99
Betty Carter — Modern Sound Of Betty Carter (180 gram pressing) ... LP 27.99
Betty Carter — Modern Sound Of Betty Carter (Japanese paper sleeve edition) ... CD 12.99
A landmark album from vocalist Betty Carter – not her first time in the recording studio, but maybe one of the first full length sets to really communicate all the genius she was bringing to the field of jazz vocals in the postwar years! The record is one of Carter's more sophisticated sessions, and it's one of the few from the old days to really capture her jazzy vocals well in a large group setting – using arrangements from Richard Wess to bring some nice modern currents to the proceedings. As always, Betty handles the material with a great deal of class, and an incredible sense of poise and emotion – and thee set list is nice, too, and includes many lesser-known tracks – like "For You", "Jazz (Ain't Nothin' But Soul)", "Don't Weep For the Lady", "My Reverie", and "I Don't Want To Set The World On Fire". © 1996-2024, Dusty Groove, Inc.
(Japanese Probe pressing, with obi! Vinyl has oxidation on two tracks on side two, which causes light noise – the rest is nice.)
(Japanese Probe pressing, with obi! Vinyl has oxidation on two tracks on side two, which causes light noise – the rest is nice.)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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